Tag Archives: remix

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The Aussie house gangster Hey Sam is back at it with a dangerous club flip of Ayo Alex’s new single Want it featuring Juicy Jay and we were all over it before we even got the nod on this premiere… here’s what the young gun had to say about it:

“AYO Alex hit me up to do this remix and I jumped on it straight away as I’m a big fan of his original version but it’s a little too heavy for my DJ sets. My version is more stripped back, bassline driven and I’ve found it has plenty of impact in the clurrrbbb.. Also stoked that Uprise Music have let me release this for free download.”

Hey Sam on


Sicarii, aka Billboard Dance’s Editor Matt Medved, has been making his way in the artist realm, and he’s already making waves. Earlier this year, he played BillBoard’s Hot 100 Festival, alongside some of the biggest names in contemporary music, and during his set, he debuted his remix of Maroon 5’s “Sugar,” which was actually supported by the band themselves. The remix is an Ibiza-inspired tune driven by a smooth house groove, the original’s vocals, and a filtered piano chords. Have a listen to the remix, as well as the live set, and get more insight on the track from Sicarii below.

“This all began in Ibiza in 2013. I was hanging out at Sa Trinxa, this incredible bohemian beach bar on Las Salinas, and I was so inspired by the music I heard there. Smooth, funky house music with reverb-drenched pads that just perfectly fit the sunset scene’s incredible atmosphere. I channeled that vibe on what was originally intended as an original track. But when Interscope gave me the opportunity to remix Maroon 5’s “Sugar,” I realized how well Adam Levine’s vocals fit within what I’d made. I loved debuting it at Billboard Hot 100 Fest, and receiving official support from the band a few days later was an unexpected honor.” – Sicarii


Just last month, Justin Jay put out his celebratory Mom, I Graduated EP, and embarked on his first world tour, which saw him perform everywhere from Electric Zoo, to Decibel Festival, CRSSD Festival, and many other gigs in between. If you’ve seen him on the road recently, you may have been lucky enough to catch him playing with Josh Taylor on vocals and Benny Bridges on guitar, both of whom are college friends, and Benny is finishing his senior year.

Now, Justin Jay is starting to officially unveil what he’s been working on with his friends over the past year, and this new remix of Alison Wonderland’s “Back to Reality” featuring Benny Bridges is the first taste. Have a listen below and hear this inventive tech-house track that merges rock with dance in truly stunning fashion. Expect more of these collaborations in the near future, and don’t miss Justin Jay in a city near you.

“Sometimes making music can be a really intense, serious, grueling process. Other times it’s about being silly and goofing around with your homies. Ben is a crazy jazz/blues guitarist and we had fun pretending to be tough on this remix for Alison Wonderland. We’ve been making a ton of music together with our homie Josh Taylor so keep your ear out for Benny Bridges, laying it down on guitar.” – Justin Jay


The Los Angeles-based band, Phases, has tapped Washington D.C.’s Eau Claire for a remix of their single, “I’m In Love With My Life.” This remix is the newest addition to Eau Claire’s growing catalog of remixes for the likes of Marvin Gaye, MIA, Husky, and more. The emerging house producer is quickly establishing her melodic and groovy style, and her rendition of “I’m In Love With My Life” serves to strengthen it with its keys, arpeggiated synths, and smooth bassline under the original’s vocals. Listen to the remix below!


Chicago’s prolific house music producer, Roy Davis Jr., is still on point, even after decades of strong influence in the scene. His newest release comes as a remix of Kim Anh’s “Shadows,” and he easily does justice to the original, while giving it his own flair. On his remix, Roy Davis Jr. keeps the soulful, psychedelic vibes strong with a smooth four-on-the-floor rhythm that’s accented by strings, phaser-ed guitar work, and chopped n’ screwed vocals. Enjoy below and buy it on iTunes.

Ocean_Drive_The Remixes

This year, the UK’s producer/live band front man, Duke Dumont, has been maintaining his steady ascent, as he aims to bring something different and refreshing both in the studio and on stage. A couple of months ago, he announced his Blasé Boys Club EP series with the first track “Ocean Drive” that was initially premiered on Annie Mac’s BBC Radio 1 show. The 80’s-inspired track has become a fan favorite, and it’s now receiving some remixes from Hayden James and Shaun Frank, who have each given their own groovy house music flair – James taking more of a poolside approach, while Frank positions it for late night dance floors. Listen for yourself here. The Blasé Boys Club Vol. 1 EP is due out on October 2nd, and the remixes will be out on October 16th.


It’s jusssst about the end of Summer and Le Youth decided to squeak in one last anthem before the sun sets for good on the Summer season. It goes deeper than your favorite pool party and packs more heat than the best day at the beach. Catch Le Youth b2b Goldroom at this year’s CRSSD October Festival in San Diego and hear more of what these two Summer dons have cookin’ up!

Newcomer Alessia Cara broke through with her addictive hit, “Here,” off of her Four Pink Walls EP, and now the official remixes for it are starting to surface. One of which that caught my ear comes from the 20-year-old Winnipeg-based producer, Vincent, formerly known as XVII. After releasing remixes of Meek Mill & Drake’s “R.I.C.O.” and Flume’s “Some Minds,” Vincent is keeping his momentum rolling into the last quarter of the year as he delivers this outstanding future bass rendition of “Here” that gives Alessia Cara’s vocals a backdrop of wobbly lush synths, and punchy low-end for club/festival use. Enjoy!

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NYC’s Gryffin is hopping back on the remix train after two successful offerings – his Years & Years “Desire” remix and his first Flight Log mix. For this latest undertaking, he’s drifted away from his house tendencies to transform Josef Salvat’s “Open Season,” which is sure to be a surprise for many of his fans. Gryffin has crafted soft synth plucks and new percussion around the original’s vocals, while keeping a mellow groove with a steady breakbeat foundation. Listen above!

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If you’re a house head and you don’t recognize the name Billy Kenny, chances are you already know his widely reputable tracks. With tracks supported by so many heavy hitters in the scene, there’s no doubt you’ve caught his sound rinsed in clubs and festivals worldwide. Aside from releasing on Dirtybird and co-running the hidden gem of a label This Ain’t Bristol, Billy now has brought his production onto the perma-hot Australian label Sweat It Out, delivering a howling bass heavy flip for Benson‘s new single “Hollow”. The remix is officially out today, so we caught up with the man himself about the release and his upcoming shows in the USA.

Billy Kenny! Probably one of the most underrated producers right now, with everyone supporting your music from Skream to Chris Lake to Claude VonStroke. What’s one special ingredient that goes into a Billy Kenny track?

Thanks for the kind words! I test everything I make, live in my set’s before they go out as a demo to labels, so if it doesn’t work in the club, it’s most likely going in the bin (or “trash” if I’m in your neck of the woods!) I guess that’s not a specific ingredient, but definitely a formula I’ve been going by.

You’ve got a new remix for Benson just that just dropped on Sweat It Out. How did that come about with those Sweaty Aussies? Was it an easy flip of the original or a major process to get it where you wanted it?

I have indeed, Benson just hit me up out of the blue actually. As soon as I heard the original I was keen, but the final version being released was actually my third attempt! I scrap any idea I’m not fully into after three hours, which is what I did with the other two. Third time lucky aye!?

Your co-owned label “This Aint Bristol” churns out some of the best in underground house music, and your set for a 15 track compilation on September 24th. What was one thing you looked for in selecting the tunes? Who can we expect on the release?

Thanks! Yeah, I’m so excited about the compilation, it’s definitely my favorite release from TAB to date. I have a lot more freedom with our VA’s, so picking tracks for them is always much more fun. I had an idea where I wanted to go with it, but having each individual track stand out as much as possible was my main goal. “Even More Selections” has everything from absolute weapons to warm up and closing time stuff, so a bit of something for everyone! I won’t spoil the fun, but can tell you there’s stuff in there from artists we’ve previously worked with, new faces and of course contributions from our team including Maximono, Abby Jane and myself.

So we here a USA tour is in the works, with some big dates @ The Dirtybird Campout, HARD Day Of The Dead, and Holy Ship!… What are you most excited about with the American shows and the crowds?

I’m crazy excited for all three of these! I’m sure they’ll all be huge highlights of what has already been the best year for me so far and I’m really grateful to Vonstroke and Destructo for bringing me over there. First of all, I can’t wait to eat a burger from Grillson at the Campout and meet the rest of the DB family! I’ve been watching after-movies from HARD and Holy Ship! which both look unreal! Basically all three of those shows are most likely going to blow my mind! I’m getting pumped thinking about them now, so I’m moving on to the next question.

If you weren’t DJing/producing, what would you be doing?

Nobody knows this, but when i first moved to Germany, it was at a time when there wasn’t a lot happening musically, so i applied for a job at a coffee manufacturers just to stay above water. Anyway, about a week later, things just started to fall into place starting with a call i got from CR2 Records who asked me to do some sample pack work for them. A week after that i found a wicked studio to rent and moved in, so i knuckled down and worked on my music. In answer to your question, I’d probably be bagging up coffee beans!

Listen to Billy Kenny’s remix for Benson “Hollow” below, and watch out for This Ain’t Bristol Even More Selections compilation out September 24th!

Billy Kenny on
This Ain’t Bristol