Good morning and happy Monday! We’re just another week closer to the end of the year and I have another GDD™ Morning Update to kick off your week. Today’s news includes SnowGlobe Music Festival, Swedish House Mafia, Laidback Luke, & Justice. Read up and watch videos after the jump! Continue Reading
Ed Banger star, Mickey Moonlight, has just released his debut album, Mickey Moonlight And The Time Axis Manipulation Corporation, this past week on iTunes, featuring an impressive 16-song tracklist with collaborations from George Lewis Jr., Marina Gasolina, Susumu Mukai, and many more. Steadfast in the studio, Mickey has also been simultaneously remixing some big names like Franz Ferdinand, Tame Impala, Crookers, and of course this big single from fellow Ed Banger reps, Justice. Straying from the more uptempo version that he released on Justice’s ‘Audio, Video, Disco EP,’ this unreleased reprise from Mickey Moonlight takes it down a notch, illuminating guitar riffs and the catchy, 3-word chorus.
Good morning! We have an excellent update for you all today. Sometimes I wish that the artists that make the headlines were a lineup for a GDD™ Festival. Don’t you? Anyway, there is way too much going on for you to not check it out, so hurry after the jump!
Good morning, I hope you all had a great weekend! We have another update with a wealth of news concerning Justice on their new album, Dada Life’s live webcast, Fedde Le Grand’s North American tour, the SnowGlobe lineup, a possible Deep Dish reunion, Universal & Sony buying EMI, Daft Punk, and the electronic music scene in Las Vegas. Read more after the jump.
It’s finally Friday and things are looking up with great weather and the Tiesto, Diplo, Dada Life, & Porter Robinson show that we will be attending tomorrow. Today’s headlines include a must-hear story about a documentary film, RE:GENERATION, the new Justice EP, and Mark Ronson. Check out a video, some articles, and a little inspiration after the jump…
Rolling along with the exclusives this week for you dirty dancers, I’m proud to present a very special remix premiere. With a big electro sound that’s been turning heads lately and a slew of remixes and releases on labels such as Ministry of Sound, Bugeyed and LOT49, Neon Stereo – Australia’s electro ambassador (who’s debut EP will drop later this month) delivers a big and dirty remix of the monster new single from Justice – ‘Civilization’. With the original’s recent release, I’ve been waiting for the first big room remix that delivers a pounding four-four kick that I can use in my club set, and finally we’ve got one. Neon Stereo’s remix packs a (Phantom Pt. 2-esque) punch and takes the Justice groove into a heavy and glitch driven frenzy. We have the exclusive download for you below, and you can preview the track underneath on the SoundCloud player.
A couple of weeks ago, clips of Justice‘s new tune ‘Civilization’ went viral via the worldwide Adidas commercials. Only in the last few days however, has the tune been unveiled in full without the crowd noise and the visuals of Lionel Messi killing it. Striking while the iron’s hot, GDD™ homies ZEDEX have just sent over their banging, DJ-friendly rendition of the new Justice track. That’s yours to download in full 320, and you can stream the original which drops April 4th on Ed Banger:
While the GDD team are reeling from the exploits of a fun filled weekend; I figured we should probably give you a rundown of how the Electric Daisy Carnival played out for us. With so many time clashes of the world’s finest DJs, I can only offer you one man’s perspective; so whichever sets I missed or overlooked, feel free to add your tales below, cos we wanna hear them.
Friday was a massive affair, the main reason I was there was to see veteran house supergroup Swedish House Mafia, who absolutely killed their live set on Kinetic Field. Unsurprisingly, the Coliseum was packed out, the gates to the main floor were closed when it reached capacity pretty early in the day, so a load of people were forced into the stands, but that didn’t matter. To be honest, the sound could’ve been bumped a little louder on day one in the Coliseum, but that was probably down to the fact that there were tens of thousands of people wiling out to Axwell, Angello and Ingrosso; the atmosphere was like nothing else. Highlights of their set were ‘One’ and the massive ‘Leave The World Behind’. If I’m pushed, the one part of their set I was less stoked on was their bunk drop of Blur‘s Song 2 intro which didn’t go anywhere, but besides that it was pretty dope.
Credit where it’s due, Dirty South played the best show I’ve seen from him all year; spinning to a packed out house before Swedish House Mafia played, he really set the bar at new heights. Meanwhile, over at the Cosmic Meadow stage, the bar was also being raised at a prolific rate; Bart B More taking to the stage after a wicked set from Dada Life, then throwing down some of the dirtiest dutch house I’ve heard in months. Travis x A-Trak, I was undecided on at first, but their set together was a pretty awesome tribute to DJ AM; the two playing electro and house bangers from the past year, keeping the party going with the fresh musical addition of Travis Barker‘s live percussion. The best set I saw all night was over at the Circuit Grounds, where we were able to witness Moby slaying a rare dj set. This for me was not only the best set all night, but it’d also rate among the top five sets I’ve seen this year. A particular highlight was raging to this humungous house banger:
The half of the Jack Beats set I managed to hear was pretty decent, a mixture of old and new house driven dubstep; obvious highlights were ‘Get Down’ and the two new tracks they’re set to release today via Herve‘s Cheap Thrills label:
So to round off the night, rather than head into the oversubscribed mess that was the Coliseum for Deadmau5, we scoped out Claude VonStroke who was throwing down his trademark minimal over at the Neon Garden stage. Such a sick set that sent us spiraling into Saturday.
photo cred: Willa Campbell
Hit the second day fairly late on, making a beeline straight for Kinetic Field and the mainstage which boasted sets from Bart B More, Dada Life & Afrojack. Afrojack slammed out a very similar set to Friday’s one; though to a far bigger audience, all blissing out to his dutch house and electro, before the dream was shattered by Lil’ Jon who out of nowhere started MCing for the tail end of his set. Back to back sets from Sound of Stereo and Felix Cartal put us back on track and onto a good one, just in time to catch a hotly anticipated set from Laidback Luke who failed to disappoint. I think it’s pretty fair to say that downtown LA went Dutch for the weekend; the amount of bleep heavy house music that went on is going to be etched into my skull for the rest of summer. Back over at Cosmic Meadows, LA Riots threw down some jams, particularly memorable was this:
Even Wolfgang Gartner‘s set was tinged with Dutch House, as he exploded onstage with classic heavy hitters: ‘Wolfgang’s 5th’, ‘Undertaker’ and ‘Fire Power’. Entirely different to his set at Coachella, this one was far more of a housey affair. One act I’ve been looking forward to catching more than any other lately is Duck Sauce, the Fool’s Gold collab between A-Trak and Armand Van Helden. Arriving onstage beneath a thirty foot high duck, the duo proceeded to shred through their 75 minute set. Highlights of their show included GottaDanceDirty favorite Louis La Roche‘s ‘Sunshine Hotel’ as well as these:
At EDC they played the unreleased original, but here’s a sick re-edit from Manila Killa
And finally, last but by no means least, the closing set from Boys Noize; who threw down a mixture of old and new – from Oi Oi Oi, Power and his collaborations with Erol – but threw it down super hard. The Boys Noize set was tight and ranks among the best I saw all weekend. Was hoping he’d drop this as an encore, but sadly he got cut short at 2am:
After a manic weekend filled with music fueled debauchery in the desert, I’m finally coherent enough to tell the tale of how it all unfolded at Coachella…
Friday – Day 1
AfterLe Castle Vania and12th Planetsmashed up the camping grounds from Thursday night into the we hours of Friday morning, the ball was set rolling for three days of tunage. Finally gracing Indio with his hotly anticipated live set, MuscoviteThe Proxyleft the Sahara Tent in tatters mid-afternoon as he threw down one of the heaviest sets I’ve seen all year, highlights included ‘Raven’ and of course a rendition of the jam hot ’8000′. Angelenos, if you missed his set at Coachella, don’t fret; he’s just been added to theHard Summerbill. Get your mits on passes to thathere
I can’t help thinking that festival organizers got more than they bargained for in booking The Proxy, because he threw down the heaviest set during one of the earliest slots of the day. In my opinion I think he should’ve been playing a lot later, and not the set before a chilled disco-house duo like Aeroplane, who changed the vibe massively with another awesome set. I like to think that by this point, the bar was being raised at a prolific rate, Wolfgang Gartnerhammered out an intense set dominated by heavier dutch house, and a little later Erol Alkantook to the stage as the Sahara Tent was reaching fever pitch. Track of the day for me, was during Erol’s set with his manic drop of ‘Lemonade’.
With everyone throwing down super heavy on Friday afternoon, the ‘Mau5 failed to disappoint, creating the most intense visual experience I’ve ever seen. Evidently three years after the Alive 2007 tour, it’s easy to draw comparisons between Deadmau5 and Daft Punk: the helmet thing that both acts have going on is the most obvious similarity, also the fact that the Mau5 was set up on an lcd plinth in the shape of a large chunk of cheese that someone’s had a nibble at. Daft Punk’s pyramid anyone?! But time and technology has allowed Deadmau5 to up the ante, as he showcased his new robomau5 helmet composed of led lights, making him the centerpiece of surrounding visuals which appeared to engulf him.
The trippiest moment of the set came when the led lights formed the mau5 face for the first time on the plain grey helmet, during ‘Sometimes Things Get, Whatever’. With each lyric mouthed on the helmet, the face twitched, then melted. For a better idea, I highly recommend you check YouTube, cos this visual spectacle was off the scale. I now can’t wait to see what Daft Punk will bring to the table with their next tour, I’ve a feeling it’s going to be mind-blowing.
Saturday – Day 2
Day 2 was off to a flier with Bassnectar, another heavy act on early. “All your bass belong to Bassnectar” ringing pretty true as his hectic dubstep launched an assault on the Sahara tent. He appears like the maddest geezer on the planet, with long hair flailing around as he dances, head bobbing wildly behind the 1s and 2s. One things for cert, and we like him because of it: This guy can definitely dance dirty. Probably the best set I heard on Saturday, he ended with this:
followed by a track which he told us he’d received back from mastering less than an hour before his set – so Fresshhhh. But seriously, Bassnectar throws down the sickest dubstep, I can’t recommend his shows highly enough – check it.
Playing the smaller Mojave Tent, Major Lazer packed the place out, Dave Switch and Diplolooking boss; taking to the stage in tuxedos, maybe a bad idea as temperatures soared to about 90 degrees in there. Heat aside, Major Lazer killed it with their set, which included everything from dutch house, to dancehall, as well as Ace of Base throwback classic ‘All That She Wants’ and this:
2manyDJs closed out the Sahara Tent on the Saturday night, blitzing a 50 minute set Radio Soulwax style. Each track that dropped brought with it visuals of the track’s corresponding album cover which had been doctored: jaws yawning, eyes rolling and body parts tweaking out. Highlights included ‘Mustapha Dance’, a Soulwax remix of The Clash ‘Rock The Casbah’ and the Soulwax remix of Chemical Brothers‘ ‘Hey Boy, Hey Girl’.
Sunday – Day 3
Rusko‘s sound has changed a lot in the last six months since he moved out to California, and this really lends itself to the vibe everyone was feeling by Sunday. Combining super heavy with mellow dub, Rusko played a mixed bag of classics such as ‘Jehova’, alongside brand new dubplates and material from his forthcoming record which drops in May on MadDecent. Back in the UK I was lucky enough to see Rusko playing to a packed out crowd on a regular basis, but now Stateside, he’s truly getting the appreciation he deserves, and has been more or less adopted by LA and the West-Coast crowd.
One particularly sick drop that stood out during his set was this:
The Sunday set I was really psyched about seeing was Club 75, the five piece Ed Banger supergroup consisting of Busy P, DJ Mehdi, Xavier De Rosnay from Justice, and Zdar and Boombass from Cassius. As a spectacle these guys threw down a killer set: 4 cdjs, 2 mixers, a laptop and an mpd was the setup, so with all five pitching in at the same time, it was kind of expected to get the occasional clang, but they made up for it in their track selection, throwing down a 90 minute set of (Ed) Bangers. Unsurprisingly, these guys can throw one hell of a party!!
SweetFA’s overall picks…
Heaviest Act = A dead heat between The Proxy and Bassnectar
pic: Joshua Caine In the next ten, twenty years or so, when we decide to trade in our skinny jeans and fixed gears for a mortgage and a BMW, which songs are we going to revisit in outdated formats to remind us of our youth? In the same way that younger generations continue to fall in love with the likes of Led Zeppelin and The Rolling Stones, whose music from this generation will be rediscovered by the next? As bangers come and bangers go, funky bass and sparkly synths make this classic collaboration from Fred Falke and Miami Horror as timeless as it gets. “Embrace” is one track that I hope sees plays beyond the end of a great decade in music.