Tag Archives: Jimmy Edgar

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Jimmy Edgar does “Detroit radio circa 1993″ for his Essential mix
Flume’s new album is “very much underway”
Aphex Twin Kickstarter campaign raises $67,000
Mark Ronson on sampling: “You can’t just hijack nostalgia”

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In honor of the recent passing of house music great Frankie KnucklesJimmy Edgar is sharing his special edit of ‘Baby Wants To Ride’ that has been a staple in sets. Frankie is a major reason why Jimmy started his career, and here’s what he had to say:

It is with great honor that I am able to give this away. A tribute to one of my heroes, Frankie Knuckles.

The relationship between Detroit and Chicago, for me, has always been about connection. Any kind of rivalry is secluded and irrelevant, in my opinion.

Chicago is approximately a 6 hour drive from Detroit, so, growing up we would frequent parties, back and forth. On any weekend in Detroit, we could meet people from Chicago who wanted to experience our small scene in Detroit.

Whereas Detroit had a much more distant, cold feeling while still trying to retain human elements, Chicago house music always appealed to me because it seemed like the softer, soulful version of Techno. I was drawn to the organ chords and the jacking indigenous rhythms of 808s. Growing up with Detroit radio, we were exposed to funk music and a lot of R&B. Some of the first records I bought were Change “Change of Heart” and Frankie Knuckles presents Jamie Principle “Your Love”, both artworks and music having very geometric, mechanical feeling, yet airbrushed and fun vibes.

Frankie Knuckles was the most pivotal figure in this movement, for me. The first time I had heard “Baby Wants To Ride”, it really moved me. The way the dot matrix synths moved in seemingly Euclidian patterns, the bounce and slight swing of that bass line, and the way the dissonant chords tied it all together. One listen and you can see where I drew all my inspiration from when making my tune from 2006, “Hot, Raw, Sex”. Let’s just say that record would have been a lot different without Frankie K.

“Tears”, “Rain Falls”, and “Your Love” among some of the best tracks I found on vinyl in Chicago. A few of them so popular you could find them at Salvation Army.

What else can I say about Frankie that hasn’t been said this week? With this track, we celebrate his life, his kindness, his love for music, his inspiration, his passion and all that he gave during his life.

Thank you Frankie,

Jimmy Edgar

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A couple of weeks ago I met up with Grenier at one of my favorite local spots Forage for a little food and friendly discussion. What I think both of us anticipated was a brief discussion about his upcoming projects, but what ended up happening was a close to hour long conversation about creativity and the state of music. I left feeling the opposite of disappointed… sure I was like 30 minutes late to my next thing but the topics we discussed was something I felt needed to be expressed. So instead of a carefully edited, introspective piece from me that took days to organize and edit down, below you’ll find an honest conversation between myself and a musician who’s very clearly spent a lot of time not only working with others but also thinking about how to work in new ways.

This all came about by the premiere of his stunning music video for “Intentions,” which came out on Symbols last year. You can watch the video below but I highly suggest clicking after the jump to read about Grenier’s multitude of new projects, including ones with Archie Pelago, Eprom & Hejfund, and The Glitch Mob. I’d love to see others’ opinions on the rest of this, perhaps open some insightful discussions.

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After storming onto the scene with his hit release on Hot Creations three years ago, Danny Daze has been a man on a mission. Growing up in Miami and DJing raves before he had a drivers license, his 15 year love affair with electronic music is finally catapulting him to an elite level. Earlier this week, Danny’s Silicon EP dropped on Jimmy Edgar’s label Ultramajic, and it is nothing short of awesomely brash, forward thinking techno. His recent move to Berlin by way of Barcelona after a short stint with Ellum boss Maceo Plex has clearly rubbed off on Daze. Elongated sirens, manic percussion, and transposed vocals are prevalent throughout the EP, while still holding some dance floor sensibility. In conjunction with the release, he also did a mix for Mixmag, where he flawlessly journeys through 74 minutes of white-label rarities and forthcoming gold. Stream both the EP and mix below.

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It may be still be winter wherever you are, but it’s never too early to jump back into the deep end. With the start of 2014, BONES gives you the 5th installment of THE DEEP END mixtape series, featuring some of my favorites in house, deep, garage, ghetto, tech, booty, and bass line. This full hour is packed with recent and forthcoming release from the likes of Doorly, A1 Bassline, Bixel Boys, Tough Love, Playless, Shiba San, Prince Club & Poupon, Jimmy Edgar, Ruff Hauser, Gorgon City and more. Whether at work or home, drive or flight, starting the night or winding it down… take the plunge and get lost once again kids, I’ll see you on the other side.

TRACK LISTING HERE

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Man, Pompeya has been commissioning some absolutely spot-on remixes for the singles from their debut LP, Tropical. After Fred Falke knocked “90″ out of the park and Jimmy Edgar took “Power” to a whole new level, the Russian quartet has roped in GDD™ favorites, Psychemagik, for a remix of “Slaver” that has me feelin’ some type of way. Fwonky (funky & wonky) basslines and lead synths steal the show, with breezy vocals providing a nice complement to the 7-minute groove. Very excited to hear the full Tropical Remix LP later this month. √+

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The remix EP for My Favorite Robot‘s Atomic Age is out today exclusively on Beatport via No.19, hosting an impressive cast of remixers including Jimmy Edgar, Mr. G, Kate Simko, and False Image who have all taken a different track from MFR’s successful album to rework. Featured here today is Ultramajic boss, Jimmy Edgar‘s, take on “White Light,” where he touches up the original with a metallic, Tech House vibe that creates a nice juxtaposition between light and deep. Listen below and pick it up here.