One of my biggest delights in life is seeing a boss lady hold her own amongst a crew of dudes. Enter Louisahhh, the reigning queen of Bromance, a record label literally named with dudes in mind. After moving from down the street to the depths of Paris, I finally caught up with my fellow short-haired princess in Miami. After a lengthy and insightful lunch at The Standard, discussing the antics of the Bromance crew to the politics and progression of the industry, riding bikes and Avicii carts around South Beach, and an astoundingly ludicrous trip to Miami’s most infamous Hard 2 Leave strip club party, I left WMC as charmed as ever by one of the most soft-spoken yet commanding females I know. That could only mean one thing: get her on board for a LOLerview!
Check after the jump for a really delightful edition of For The LOLs, and make absolutely sure to check out her upcoming EP on Bromance, Transcend, out on the 22nd of April. It’s amazing.
“I want you to all smell a dubplate because they smell really good. You might never get to smell one ever again…”
Vivian Host, aka Star Eyes hands me a dusty disc, an old DnB record from Renegade Hardware. I smell it and have to admit, it smells perfect. Like old musty books but better, because it’s music. On the bed sits Jess Gentile, better known as Jubilee. We’re chillin’ in the infamous 181 spot in Brooklyn, Vivian’s current residence, while our lovely photographer, Kaitlin Parry of Shoot People, sets up for this Gotta Dance Dirty exclusive look into the lives and music of two of the best bass DJs and producers around.
Last Wednesday, I stopped by The Brooklyn Bowl for the sold out Infected Mushrooms DJ set. People rushed the stage, tons of stage dives happend (including one by me) and everyone had an all around rad time. Check out this interview I got before the show, we talk about their new 3D mapping stage production, Erez’s hair, and the ultimate question: Who would you rather fight, 1 horse sized duck, or 100 duck sized horses.
I’ve been waiting a long time for this. With my heart reasonably tied to the sounds of the UK, part of me squeals with joy when I see one of the young artists pushing the new era of garage come to the states. It means something real; that the music that the UK has been an advocate of for ages now has finally touched down in the US, that the was once behind-the-curve American market for dance music may slowly be catching up. Disclosure, consisting of Howard and Guy, two very young brothers (18 & 21) have quickly risen to the forefront of this kind of sound, and lucky for LA, they headlined an amazing live show at the El Rey to a sold out crowd of costumed enthusiasts on Halloween.
I’m pretty sure something has to be said that every single song they’ve made has been released, and on top of that, they’re all hits. These kids quite literally hopped on to making garage style music after falling in love with Burial’s Untrue two years ago, and ever since then it’s been a whirl of success, with a free EP garnering them masses of downloads & “What’s In Your Head” in every single DJ rotation, radio show, and mixtape this summer.
As everyone was doing some last minute costume prepping before heading to the El Rey that night, I jetted over to the historic venue to have a chat with the boys before the show. Their young faces & Howard’s aside that he misses England were perhaps the only things indicating their age; the boys otherwise spoke and performed as though they were much older. Great guys, pleasant interview, a real treat. Later, after I arrived to the always great Samo Sound Boy‘s set, there was a pleasantness in the air unlike other shows; a kind of unspoken knowledge of the oxytocin-laced, subtle booty-shake set that Disclosure was about to provide. And that’s exactly what it was. After opening with “Control”, the boys worked rather seamlessly together in their live show, leaving perhaps the entire audience with a smile on their face the entire time. Whatever it is they are doing, they are doing it right. I’m very much looking forward to the boundless future of Disclosure, and happily await their return.
Until then, get your digs with the interview, and their very awesome mix for The Fader below.
A week ago I hit up The Presets at Terminal 5 for an interview and to check out their show. Catch the review of their live performance and news on what they will be up to in the future, what they plan on wearing for Halloween (sexy nurse anyone?) and their thoughts on the EDM surge in America and upcoming Techno album below!
Over the past couple weeks we have been re-living the best moments of Electric Zoo (and there are many) but some of my favorite moments were hanging out with a couple of the acts and hearing from them firsthand what they’re up to and what we can expect over the next few months. One of the first interviews I did was with Hardwell. Check out what he had to say about Tiesto, a controversial bootleg package, Sensation and more below.
Our second round of #AskGDD went down early in the afternoon yesterday, and after Steven and Laura had a nice long chat with James from Mad Tech Records, as well as Lakosa, iO, and Pedro123 (Stef, Rob, and Pedro, respectively), we decided not only to transcribe it for everyone who missed it to enjoy, but to continue along and start up a weekly Twitter chit chat with a selection of yours and our favorite artists, record labels, and more. Stay tuned via our twitter and of course with the #AskGDD hashtag every Thursday, where you can follow along or even ask questions yourself!
Our conversation with the group, as well as plenty of jams from them all for you to enjoy (as well as the dope new tunes they talked with us about) all after the jump. Continue Reading
We promised the start of GottaDanceDirty.tv in the Summer of 2012, and who are we to break a promise?! With a ton of stuff in the pipeline that we are very amped about, it’s time to start bringing you guys some of the stuff we’ve been cooking up over the past months. First we bring you an interview with Techno master Guy Gerber.
Citizen is the first to be released on Kerri Chandler‘s latest, MadTech records and, once again, the deep house originator delivers with Citizen and this release. ”In 1992 Kerri Chandler had a vision. A vision of deep, heartfelt, meaningful music.” This vision helped forge the soulful standards of Madhouse records, establishing some of deep house’s very foundations, which continue today in Kerri’s new label MadTech. As I introduced Citizen in The Dirt #73, his sound is decidedly “House Over Everything” and today we’ve got a sublime exclusive mix from him, as well as his entire EP and details on our Twitter interview with the label this Friday. Go Deep.