Tag Archives: claude vonstroke

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Jesse Rose is not new to the label game. After initiating his first label Front Room over 10 years ago, he’s since seen the growth of two more labels: Made To Play and Play It Down. With Made To Play being a major facet during the 2009-2010 era of “fidget house” (as well as the home to REAL tropical house like Round Table Knights’ “Calypso”) and Play It Down making a name for itself amongst underground kingpins like Oliver Dollar, Davide Squillace, Matthias Tanzmann, Guti and more, you would think Jesse Rose would lie comfortably amongst his multitude of successes. But this is not the case, and now we see him restlessly launching his newest label venture: A-Sided. After announcing just over a week ago, we already know the first release is coming in the form of a collab between himself and Claude VonStroke, there’s two launch parties coming up in Los Angeles and Miami, and things are moving quickly.

We’re proud to be a part of the label’s launch party in Miami this year, a daytime jaunt with a stacked lineup of some of house music’s most highly-regarded heavyweights. Jesse Rose and Claude VonStroke will be doing an exclusive back-to-back set, and joining them are Junior Sanchez as his A-Sided pseudonym IMIURU, Roger Sanchez as S-Man, Oliver Dollar, Ardalan, Christian Nielsen, Brillstein and special guests.

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Gotta Dance Dirty will be holding an exclusive contest for a chance to win up to 5 guestlist spots for you and your friends, as well as a line of tequila shots for all of you to be shared with Jesse Rose and Claude Vonstroke. All you have to do is tag your friends in the comments and we’ll pick a winner by Friday, March 20th.

Don’t forget you can also see A-Sided’s launch in Los Angeles on Friday at the infamous RHONDA party, and stay posted on the label’s Facebook and Twitter to get further announcements.

See you on the dancefloor.

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The entire Dirtybird crew has had one hell of a year, but no one broke out as far as Justin Jay.  This part-time USC student, part time bass slinging globetrotter claims the youngest spot on the San Francisco-based label’s roster.  Shoulder to shoulder with big guns like Claude VonStrokeJustin Martin, Gorgon City, and more, Justin Jay has proven himself to be a force in bass music.  Today, we all get a taste of his forthcoming 3-track Momentum EP that includes a collaboration with Kill Frenzy.  The first single is a light, upbeat track called “You Give My Butterflies.”  A painfully charming melody suited for the 100 acre woods bounces off of a skillfully crafted bass and synth arrangement.  The track comes as a beautiful retort, following some more dark and gritty releases from Justin Jay.  The Momentum EP is due out on Monday, March 16th via Catz’ ‘N DogzPets Recordings.

“As I’m finishing up an incredible last year of college, and getting to do all of these amazing things in music, it’s felt natural making happy, lighthearted songs that really capture my mood these days. I’ve spent a large part of the last year exploring darker sounds and textures. I definitely want to continue experimenting in that direction, but I wouldn’t want to neglect my goofy, cheerful side either. “You Give Me Butterflies” is a carefree day at the beach, spent with your friends, acting like 8 year-olds.” – Justin Jay

Justin Jay on Facebook | Soundcloud | Twitter

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Claude VonStroke & Green Velvet to Perform as ‘Get Real’ in LA, Detroit, and Chicago
Gorgon City to Start Work on Second Album this Month
• Autograf Releases Remix of Corbu’s “Neon Hallway”
Jam City shares another glimpse of his second album, ‘Crisis’

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If you’re at all aware of the Dirtybird crew (you should be), you’re more than likely aware of the various Dirtybird BBQ events they have been throwing over the past months.  These shows have done wonders in combining the friendly atmosphere and bouncing bass the label has become so known for.  Brooklyn, Detroit, Toronto, San Francisco, and now Los Angeles for HARD Day Of The Dead where they will be taking over an entire stage.  Full preview after the jump!

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LA’s young gun, Justin Jay, is giving back to those who have supported him with the long-awaited release of “Bounce and Break,” the party-starting track that his fellow dirtybird, Claude VonStroke, opened his set with at last year’s HARD Summer. Justin has worked the original DJ Spinn sample into a tech-house jam with tribal rhythms, distorted synth lines, and a halftime breakdown. Catch Justin Jay live this Saturday from 3:05-4:05pm in the Pink Tent at HARD Summer, and stay tuned for the “Bounce and Break” release next week.

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To get you hyped for Claude Vonstroke’s CALIFUTURE release party tomorrow @ Exchange LA, our very own BONES caught up with his special guest for the night and our long time friend Doorly. The UK to LA transplant has been on a warpath of house music production, and playing shows across the globe all summer long….

GDD: Doorly! You’re back in Los Angeles this Saturday @ Exchange LA w/ Claude Vonstroke… how’s the summer been overin ibiza? Any noteworthy shows and/or collaborative studio sessions?

D: Just landed this morning, not slept in my own bed since May so its AMAZING to be back home for a few weeks! Having an incredible summer so far though, my new party at Pacha on Mondays is storming the island, we’ve had some mental line ups with the likes of Derrick Carter, Groove Armada, Giorgio Moroder, Basement Jaxx, Green Velvet, Shadow Child, Kenny dope to name a few passing through. Also i’ve been running a series of after hours parties at the legendary Pikes hotel, where they famously filmed wahm’s “Club Tropicana” Last week myself, Jesse Rose & Oliver $ did a back to back session and Duane harden popped up and sang along with us : )

Collaboration wise its also been a standout summer for me as well, my new collab with Cajmere just came out on his label Cajual alongside an full EP from me. I’m also polishing up more collaborations with DJ Pierre, Harry Choo Choo Romero and Switch (Featuring a spoken word vocal from Idris Elba!) And my latest record with Shadow Child “Piano Weapon” is finally about to drop!

GDD: Speaking of the studio, you’ve been on a warpath of production lately… what drove you to jump back into house music? What do you think stands out the most in your production?

D: I’ve always Made and Played house music since i started over 15 years ago its just for the couple of years that i toyed with bass music, those (Especially in america) were my biggest records so everybody assumed that i was a dubstep DJ no matter how hard i tried to convince the world otherwise. I just got to a point where i was not enjoying my gigs becuase the music being played around me was just getting more and more aggressive so 2 years ago i just had to make a conscious effort to just not play any more of those shows or make any more of that music and just solely make music i was 100 percent into again. There was a tricky year or so there becuase i was turning down 90 percent of the gigs i was being offered while i got the next wave of music out there but im so glad that i stuck to my guns because its all coming together very nicely now and i’ve never been so comfortable with my sound, i’ve definitely found my groove again.

With my productions, i’m very conscious of onto a bandwagon of whats hot right now (e.g the UK garage thing or “Deep House”) becuase i accidentally made that mistake once. My aim is to make tracks that sound like they were made 10 years ago, lots of funk but still with bass mentality to them and always for the dancefloor.

GDD: Some people might not know this, but are surgical with your DJ sets. With all the tricks you perform, do you plan out what you’re going to play for each set? Or do you just go upt here and have fun?

D: I never plan anything, i hope it shows but when i’m up there i’m having a blast myself experimenting with stuff all the time, i hate to go in with a plan because that way i’d end up playing the same set all the time and with an attention span as short as mine i would definitely look visibly bored up there! Obviously i put a lot of prep in before my sets making edits and stuff, and pioneer’s Rekordbox is absolutely my best mate these days!

GDD: You’re gearing up to play with the Dirtybird bossman Claude Vonstroke, whom you did a remix for on his recent single “The Clapping Track.” How’d that come to be and can we expect more from you forthcoming on Dirtybird?

D: It was a huge honour to be a part of that album remix package amongst some ridiculously good company, i was a massive fan of the album anyway and clapping track was my favourite track so when Barclay asked me to do it of course i nearly snapped his hand off! I’m really proud of how that came out and its still one of the biggest crowd winners in my sets.

And as for forthcoming stuff with Dirtybird, yeah 100 percent, the whole crew, DJs and Behind the scenes at Dirtybird are like a family to me so theres definitely more coming, I cant say too much right now you will be hearing something very fun from me on Dirtybird very soon : )

GDD: What do you like most about playing in LA? If this is your first time playing @ Exchange, what are you looking forward to most?

D: L.A is my home town now so i always manage to bring a huge crew with me, its great to DJ surrounded by all of your mates and then we usually end up having a spectacular afterparty at my place after as well, as the GDD crew can testify to! I’ve never actually played at Exchange before in all my years of coming here and i must have been over 100 times to watch my friends play and party there so i’m very very excited about this one, i genuinely feel like this could be one of my Biggest L.A shows to date so i’m most definitely going to Bring it!

Thanks to Barclay for asking me to come and support him on this and see you there Bone dogg!

Don’t miss Doorly alongside Claude Vonstroke & Bones this Saturday, July 19th @ Exchange LA!
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As we plunge deep into Summer, BONES gives you his 6th installment to THE DEEP END mix series… concocted of house, garage, deep, bassline, tech, ghetto and anything low end friendly – this is an hour of the underground and the unknown. Summer is here kids, dive back into the abyss.

TRACK LISTING:
Jade Blue & Frequency – Lately
Filthy Rich, Ostertag – Smoking Mirrors (Original 9mm Magnum Mix)
Mak & Pasteman – Bodywork
Breach – Artis
Doorly – Thunderclap
Maff Boothroyd – Walking The Wire (SoulGroove Remix)
Tough Love – Love & Happiness
Volac – Fuck U
Disclosure – Apollo
Zinc – Show Me
Jess Glynne – Right Here
Celsius – Attrition
Thee Cool Cats & BONES – G Stack
Go Freek – We Can Ride (Torren Foot Remix)
Schoolboy Q – Studio (Wood Holly Bootleg)
Digitalism – Wolves (Riton Remix)
Zeds Dead & Twin Shadow – Lost You
Claude VonStroke – Sugar & Cinnamon (Justin Jay Remix)
Last Magpie – Pledge

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Los Angeles’ rising producer/DJ, Justin Jay, has released his stand out remix of Claude VonStroke‘s single, “Sugar & Cinnamon,” as a part of the Urban Animal remix package, which also features the likes of Solomun, Dixon, Jimmy Edgar, Kill Frenzy, Photek, and more. In his remix, Justin taps into some of his more nostalgic influences for a funk-infused track complete with a bumpin’ bassline, quick guitar chords, and the original’s vocals on top. With HARD Summer in his sights, Justin Jay is prepping for a busy season of gigs and more fantastic releases. This remix is available for purchase on Beatport.

Preview the rest of the Urban Animal remixes after the jump…

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Miami’s newcomer, Jordan Postrel, kicks off the GDD™ Guest Mix series in 2014 with an ace offering. Citing influences like Richie Hawtin, KiNK, Hot Since 82, and Claude VonStroke, he emerges out of underground territory that has helped shape his productions into tracks like his remix of The East Flatbush Project’s “Tried By 12,” among others. Postrel now flexes his DJ talent for an engaging 1-hour mix of house and tech-house that serves as an impressive addition to any mix archive.

Tracklist:
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As I do for most posts involving head dirtybird, Claude VonStroke, I’ll let him address you all himself…

“This is the original 2 hour unedited version mixed live at my house for the fans with all the bad words, full versions of tracks and without any radio tags or commercials on top of it. Encoded at 160kps so don’t try to play tracks in the club they will sound like crap ;)”

Get into it.

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