It’s an all Aussie affair today with this knocking club edit of Iggy Azalea, courtesy of Adelaide’s
Man of The Moment Motez. In preparation of a US tour that he’s announcing tomorrow, he’s giving away this ace edit of Azalea’s Fancy. In similar fashion to his ‘Gas Pedal‘ re-work, he relies heavily on his prowess of thumping basslines and jacking drums. There’s a nifty little half-time section in the intro that he re-introduces again in the second breakdown, and he even sneaks in a couple of air horns on the second drop just for good measure. Be on the lookout for Motez to be coming to a city near you this summer.
Riding the success of his last EP for Armada Records, Amtrac is back on remix duty for Australia’s Client Liason. His euphoric take on the track is complete with a cheeky amount of saxophone, uplifting strings and powerful vocals from the Melbourne outfit. Neatly placed chord stabs and a knocking bassline have this one jacking from start to finish, however it doesn’t lend itself to being overbearing. Expect the full digital release to be out soon, along with remixes from Com Truise and Knightlife. For those heading out to Las Vegas this weekend, you can catch Amtrac playing at EDC.
I don’t think you’re ready for this jelly. The first and only track on Ralph Lauren‘s SoundCloud page is what you’re about to listen to. Upon first listen I was intrigued by the Bashmore-esque chord progression, but it’s the sub bass and intergalactic ray guns from the heavens that really rattled my brain. More from those crazy production masterminds in Australia, but not your typical down under vibe. This is a dark and brooding house track that is sure to exceed all expectations I’ve instilled.
Back in March, we threw one hell of a soiree with the Sweat It Out! crew in Miami during WMC. The takeaway included a most excellent hangover and an even stronger appreciation for what these Australians are doing to dance music. There’s no better example than Go Freek‘s We Can Ride release, which dropped today on the Sweat! imprint. There’s a mess of pads and bellowing bass blasts that dart around a pitched down vocal sample. They’ve dubbed it gutter tech, which more or less makes perfect sense. They also rounded up an A-team of support for remix duty, featuring mixes from Terace, Torren Foot, Craig Williams, and Dom Dolla, which are pretty damn great in their own right. You can pick up full package on Beatport.
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Australian natives, RÜFÜS, or RÜFÜS DU SOL (as copyright laws suggest they be known as in the U.S.), are an act to be reckoned with as they fuse an energetic live setup with intricate electronic components that radiate a universal feeling to their audience. With a sold out show their first night in LA and a second show added for a packed house at Bardot on a Monday, it’s safe to say that America is catching the drift as well. We got the chance to talk to RÜFÜS in between their crazy schedule at SXSW and got some insight into what it’s like leaving Australia, how they came to be, and what it’s like to have their debut LP signed to Columbia Records. Continue Reading
It’s an all Australian affair with one of the country’s most prominent techno lords in Craig Williams and his new EP which just dropped on one of the savviest labels in Sweat It Out. Craig’s mastery of all things analog once again shines on this release. His formula of thumping, four to the floor tracks are fit for the clubs, and the title track ‘Saw Throat’ is garnering support from the likes of Claude VonStroke, Crookers, and Yolanda Be Cool. And for all the budding producers out there, send Craig a receipt of your purchase of the EP and he’ll send you a sample pack which includes the stems for both tracks. What a legend!
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Sydney based four piece band Convaire has concocted an indie disco anthem that boosts your confidence and assures that you woke up on the right side of the bed. It’s hard not to close your eyes as you soak in the vibes and sashay from point A to B, grooving to a down under bassline and punchy live drum kit. The lead singer takes charge and makes sure you get exactly where the track is supposed to take you as you day dream about young love and more innocent days through their infectious pop bars. Out now on iTunes, be sure to cop and subscribe to their SoundCloud for future releases.
Perfectly fitting for this Halloween season, the aussie duo known as Go Freek have just released the devilishly funky Bump In The Night EP on Sweat It Out! records. The production on this 4-track bundle portrays blog house nostalgia, with the slimey basslines and creepy synths getting an Australian techno overhaul. The title track is a staple in my sets right now, alongside support from the likes of Claude Von Stroke, Botnek, Tommie Sunshine Justin and Christian Martin. Listen and below and grab these for your October festivities…
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After transplanting to LA from Australia, the man with long black hair and a penchant for dark techno has been a slave to the studio. Craig’s newest EP dropped this week on fellow Australian label Motorik, and he dialed in two heaters with the underground queen Louisahhh!!! Her vocals pair dangerously well with Craig’s raw power, and with support from the likes of Brodinski and Riva Starr, this release should see him boost up the ranks of upcoming techno producers. You can catch Craig at Dim Mak Studios on September 17th where he’ll be doing a back to back set with label mate Jensen Interceptor.
Craig Williams Soundcloud
Following our Aussie-heavy takeover of Dim Mak Studios two nights ago, we’ve got another “mate” in our midst: Ta-Ku! After falling in love with Ta-Ku’s stuff when I first heard tracks like “When I Met You” and “Glacier” I’ve been keeping an eye and an ear on the veteran Australian producer. His edit of Flume and Cosmo’s Midnight have been very strong entities on the ‘free download’ front this year, and that doesn’t even begin to touch the amount of stuff he’s released and given away just in the past few months.
Next up for grabs is “I Miss You”… it’s a little bit sad and a little bit charming… overall it makes me really happy Soundcloud offers an open-ended option for artists to put a genre on the track, as this one being defined as “music to break up to” is simply perfect.