Our close friends and undisputed musical geniuses, underground duo Bixel Boys, join Dim Mak Records with their innovative rework of Botnek and 3LAU’s collaboration “Vikings.” Mesmerizingly minimal and articulately crafted, the California duo reupholsters the once electro track into a smattering of spacey synths, delicate drum kicks and groovy basslines, injecting their patented touches of soul and swing truly making this one special.
Following his HARD Summer performance over the weekend, Justin Jay drops his tech-house gem, “Bounce and Break,” for free download. Inspired by the hip-hop jams that he heard at his middle school dances, Justin created this tune that has taken on a life of its own, getting played out by his dirtybird label mates, our own Bones, and more. “Bounce and Break” is a quintessential party-starting track that packs a low-end punch, a halftime breakdown, and a catchy hook – all neatly packaged in a production worthy of your attention, and your hard drive space. Grab your free download here.
LA’s young gun, Justin Jay, is giving back to those who have supported him with the long-awaited release of “Bounce and Break,” the party-starting track that his fellow dirtybird, Claude VonStroke, opened his set with at last year’s HARD Summer. Justin has worked the original DJ Spinn sample into a tech-house jam with tribal rhythms, distorted synth lines, and a halftime breakdown. Catch Justin Jay live this Saturday from 3:05-4:05pm in the Pink Tent at HARD Summer, and stay tuned for the “Bounce and Break” release next week.
We kick off your Tuesday with an exclusive premiere to a newer face of Tittwsorth. The DC to LA transplant takes things into deeper territory, casting a remix for Killa Theory’s single ‘Tatum’ on his own imprint T&A Records. This one sends you straight into after hours, perfect for your late nights and/or early mornings. Listen below and get lost in this one…
Los Angeles-based collective, RIS Labs, returns after a year hiatus with a vibey new EP from multi-instrumentalist, Give In, who we initially heard on our good bud, Eric Sharp‘s, Sharp Cuts Vol. I released on Win Records last fall. Entitled Slow Moves, Give In’s new release boasts 2 smooth, techy originals balancing incisive stabs with loungy atmospherics, creating a distinct soundscape that toes the light vs. dark line.
The EP also comes along with 2 remixes — one from Eric Sharp and the other from mysterious project, Beati Paoli, who leans far to the light side with sun-soaked synth chords and happy-hearted hum alongs. Listen to the latter remix below and snag Slow Moves next Tuesday, July 15th.
Since 2012, Perfect Driver Music has assembled a tight crew of rising underground stars including Aaron Snapes, Wood Holly, Matthew Anthony, Mark Starr & more. Today we’re featuring another one of their crew members on the rise, Trevor Osterman, aka Ballast. Ballast’s fresh take on the House/Booty/Techno scene is a perfect fit for the gritty sounds of Perfect Driver Music. We had a chance to chat with Ballast recently & here’s what he had to say…
LA’s Ruff Hauser has been pushing the boundaries of bass music for over a decade now, and today he launches the debut release of his new Cats & Boots imprint with his Rotate Them Hips EP. His booty-tech monster was doing the rounds with DJs from the dirtybird and Anabatic camps before he assembled a top-shelf crew to remix the track that includes Mark Starr, Troy Kurtz, Roy Wilkins, Ghostea, and Perfect Driver. Having already been played on both BBC1 and Rinse FM prior to the release, there’s a fair bit of hype around the package, and we’re excited about the prospects of another rising music label for the West Coast. You can pick up the release now on Beatport.
Catz ‘N Dogz‘ Pets Recordings has just announced its third edition of Friends Will Carry You Home — the curatorial compilation series featuring the imprint’s fine family including Trikk, Nick Monaco, Kill Frenzy, Catz Eats Dogz (aka Catz ‘N Dogz vs. Eats Everything), and longtime GDD™ favorite, Danny Daze. The 18-track compilation will be released in three parts over the month of May and will host a treasure trove of some of the best House and Techno out there at the moment.
And speaking of top tunes, we are happy to premiere today the full preview of Danny Daze’s contribution to the compilation — a heady, atmospheric Techno mover titled “I Can’t Breathe,” which will be released in the third installment of the compilation on Monday, May 19th. Listen to the √+ track below and read on for the full tracklist and release schedule.
One of Southern California’s finest producer/DJs, Mikey Lion, had early beginnings scratching hip-hop records at the age of 13, but since then, he’s moved on to dance music, cultivating his career through productions and DJ residencies at renowned parties such as Lovelife. Additionally, this San Diego-based artist is also a co-founder and resident of the underground festival, Desert Hearts, that is quickly building a strong community of likeminded House and Techno aficionados, while receiving critical acclaim from respected media outlets like Resident Advisor.
In celebration of the upcoming Desert Hearts festival (Tickets) being held in Apple Valley, CA from April 25-27th, Mikey Lion has delivered an excellent mix of his refined brand of “Tribal Gangster Tech-House” that’ll keep you coming back for more deep grooves. Enjoy the mix below, then head after the jump for Mikey’s upcoming tour dates (including Coachella this weekend), more info on Desert Hearts, and the tracklist for the mix.
The collaboration between Craig Williams & Charles I is a pairing of two highly skilled production maestros with great heads of hair. The two L.A. based producers (Craig by way of Sydney) are craftsmen when it comes to making electronic music. Each has a diverse style but both have excelled when it comes to producing gritty Electro & after hours Techno. Craig Williams & Charles I’s new “This Is It” EP lives up to that reputation. The opening title track is a late night warehouse track with the perfect amount of glossy bass & energetic effects to pump up any 4am crowd. The peak time track on the EP is “Increase The Doses” driven by its dynamic synth work & scintillating percussion. The closeout track, “Work”, is a deep Techno workout capped off with brassy Electroclash vocals – a most fitting bookend to this dark, sweaty, super stylish EP.