The homie Prince Fox has a super unique style, and always manages to impress. His first original tune, “Wait Until Tomorrow,” was a cheeky little indie-dance/house number, and he’s just released a VIP version. This future bass-y version of the tune comes in line with the announcement that he’s signed to Casablanca Records. Congrats!
Since first emerging last year, PRINCE FOX has become one of the industry’s hottest electronic dance music talents. He remixed 3lau’s “How You Love Me” [feat. Bright Lights], and it took off on Hype Machine, reaching #2 and receiving an “Honorable Mention” as part of a Wavo remix contest. He would soon be tapped for official remixes of Cazzette’s “Blind Heart,” a Beatport hit, and SNBRN’s “Raindrops” [feat. Kerli]. The latter went Top 5 on Beatport, #1 on Hype Machine, and racked up over 3 million Soundcloud plays. Meanwhile, his remix of Florence + the Machine’s “You Got The Love” is nearing 1 million Soundcloud plays.
BLU J is back, coming through strong with a fresh take on the Rihanna hit “Umbrella”, showcasing their never-ending diversity by flipping the track into a melting pot of Zhu-like deep house tones, Odesza-style melodic alterations, a funky throwback electronic lead and a super hot vocoder to breathe new life into the Rihanna Classic. Grab this one from our brothers at ToneDen now.
Damaged Goods is a Miami-based producer with a really electrifying sound. With a handful of remixes of popular tracks on his Soundcloud page, he’s accrued a really high play count in a relatively short amount of time. His latest is a remix for A-Trak and Ibanez for Spinnin’ Records. He really pumps that big room future house sound in this one, it’s truly catered for the club. We’re excited to see whats next for Damaged Goods, but for now go ahead and grab that free download.
Sultan+Shepard have remained in the front line of electronic scene for over a decade – from major hits like “In The Air” with Morgan Page in 2011 to being nominated for a Grammy in 2013 to “When We Were Young” with Dillion Francis last year. An ever evolving sound has been the secret to their long lasting success. Returning today with a new bootleg, the Canadian-duo tackle the timeless Whitney Houston’s “It’s Not Right, But It’s Okay”. Transforming the pop song into a future house record, Sultan+Shepard give the classic some modernity while paying full homage to the legendary Whitney Houston. Grab your Free Download! – brohlson
I don’t have that much energy nowadays, but Los Angeles-based techno junkie Modus gives it to me every time. His dark twists on big tracks really stand out in a monotonous river of medicre remixes. Tough tough european-style techno vibes durn Drake’s “Energy” into a dark club knocker. I’ve already heard this one being rinsed around town in Los Angeles, and I have no doubts that this one will be a staple for the forseeable future. Grab the latest from Modus for free below.
The recent collab w/ London young guns Disciples proved to be a tally in the cool column for Calvin Harris, but the nail went in the coffin when Chris Lake delivered his piping energetic flip on the single – giving the deeper driven original a jacking appeal fit for the summer season. It just dropped today on Beatport and iTunes, listen below and scoop it up in time for the weekend festivities!
Chris Lake on
The wild boys of Cut Snake awoke from their disco naps this afternoon to drop a brand new bombshell on us. This time, they’re editing a Hayden James tune, “Something About You.” There’s something very distinguishably shifty about these Cut Snake tracks. Some eyes-low, groove laden house tunes that draw just a bit from techno influences. Needless to say, their production chops keep improving, and I keep continuing to dance to every track they release. Keep it up, boys.
Essentially, Rambo V wanted to put his spin one of the more obscure tracks from Tame Impala’s Currents, arguably one of the best albums of the year. He ended up going with “Nangs,” a showy synth-based track that really lends itself to the house sound. The vocals are hauntingly sampled, seemingly dripping over the jumpy bassline like the acid-influenced cover art. This remix continues Rambo V’s string of extremely unique remixes and original tracks, and displays his versatility as a producer. This tune will undoubtedly be sneaking its way into many-a-poolside sets before the Summer’s end, and you can download it now for free.
Vanessa Elisha‘s track “Down For This” is certainly easy on the ears. Her smooth vocals are seriously seductive, so she’s been the center of a lot of remix attention. The latest comes from producer Palace, and you’re going to dig it. The tune suits the Australian vocalists original track perfectly, expanding upon the future bass/trap vibes that already existed in the track. Really stunning work on this one, a nice balance of beauty and bass. Stream this remix from Palace below exclusively at GottaDanceDirty. Lucky for those who are digging the vocals, Vanessa Elisha has just been added to Paces’ “Hold It Down” tour, grab tickets here.
“I’ve been a fan of Vanessa’s work for sometime and I didn’t hesitate when she approached me to do this. The original Down For This contained lots of interesting sounds and textures to work with, so I created something that retains everything I loved about the original, and added my twist on it.”
Dom Dolla & Go Freek recently released one of the sickest tunes I’ve heard in a minute. “Define” is a vocal backed house slammer that beautifully defines the essence of the overlying label, Sweat It Out! Those vocal stabs and raunchy bassline just don’t quit. One Mr. Nicky Night Time is now joining the pack of remix artists, which boasts a nice collection (Cassian and Curses thus far). His take on the track takes full use of the vocals, chopping and sampling in a really cool way. The bassline drags slowly behind the vocals and jumps quick on the drops. Still can’t get enough of these vocals in either version. Stream this bad boy from Nicky Night Time exclusively here!