Last week, GDD™ fav, Cashmere Cat, revealed the first single from his debut release, Wedding Bells, on LuckyMe Records in Scotland. “With Me” is an incredible sample of Future Bass and a prime example of the unbelievable music coming from LuckyMe as of late. Home to Hudson Mohawke, Baauer, S-Type, and many more artists known for pushing the increasingly thin lines between Instrumental Hip Hop and dance music, LuckyMe seems to be a perfect home to the ingenious styles of Norway’s Cashmere Cat. Stream “With Me” below and purchase it now on iTunes.
There are some birds chirping overhead as kids run wild in the lively green field and playground, teenagers are walking hand in hand as adults rest up and take in the refreshing summer breeze on the park benches, and you are taking a stroll on the reflective concrete path with your earbuds in and arms gently swaying to the beat. Maybe it’s to clear your head, maybe it’s just to relax, either way, if you’re not playing this Jerome LOL remix to D33J’s, “Park,” the next time this scenario becomes available, you’re doing it wrong. Continue Reading
At the ripe age of 38, Parov Stelar‘s wisdom and experience have guided him to create some of the best sounds in the music industry. Electro swing is one of the more intoxicating genre’s in the electronic spectrum as the four on the floor beat intermixes with heavy syncopation and live instrumentation. As the industry progresses it’s almost inevitable for it to head in the electro swing direction. This Nico Pusch bootleg features pumping piano chords that preface the trumpet fanfare being belted out in the chorus as Nico Pusch puts his own original flair into the song.
Daedelus’ has always been a prominent figure in regards to representing the “weird” end of dance music, aided by his Magical Properties curations on the touring and label front. The latest release on Magical Properties, the Best Night Ever LP from DJ Clap, is an erratic and fast-paced exploration of different musical styles and influences. Along with the release, DJ Clap has also released a music video for the LP’s single “Unbelieveable”. Like the song itself, the video is an insane and frenetic footwork piece. Not for the faint of heart, not for those comfortable with an unforgiving staccato track.
The video is premiering right here on GDD, but for the whole Best Night Ever album, you can go and grab that here and stream it below.
Matt Hill, better known as synth composer Umberto, gives us ‘Confrontations’- a lurid album jammed with an italo-disco/soundtrack-esque mood that will make you travel into a creepy foreign landscape once your eyelids shut.
Hill’s sounds in “Confrontations” are more defined from 70’s synth pop punctuations, relatively different than his three previous and more giallo directed productions. It’s impossible not to name drop horror genre maestro Dario Argento for all the imagery in the tracks, but mix it with some flickering Giorgio Morder disco and get caught in the hypnotic road trip Umberto wants you to ride. Continue Reading
It’s not exactly dance music, but it’s 100% music worth listening to. Don’t let the “OWSLA” in the title trick you, this is far from anything you’d expect to come out of the Skrillex camp. And you know what, that’s why Sonny Moore is becoming increasingly hard to hate. Those still ignorant enough to spew their constant vitriol his way are obviously ignorant of his gracious acceptance speech(es) at the Grammy’s, his humble and endearing personality, his appreciation of and efforts to push his more mainstream leaning legion of fans to embrace more obscure electronic music (from Aphex Twin to Gesaffelstein), and now his endorsement of a beautiful, undefinable and timeless record like this Hundred Waters album.
I can see myself listening to this album in twenty years over a nice glass of wine accompanied by good conversation and better friends. It’s majestic, ambient yet stimulating, and it’s brought to you courtesy of… Skrillex? Mind-boggling I know, but it’s just one of the few reasons I can think of that the young Sonny Moore deserves his spot at the top right now.
Stream the album after the jump, and ask Siri to set a reminder for tomorrow, when the full album goes on sale via OWSLA. Just don’t try to have Siri spell “OWSLA”… Continue Reading
Satisfy your ghoulish curiosity with this sublime cinematic makeover of Feist’s ‘Graveyard’ by my very favorite… TRUST. Preaching necromancy spells, Feist’s ghostly vocals flow in perfect harmony with this gloomy beat full of soothing wet synths. If you haven’t heard Trust’s self-titled album debut, check it out here… if you know whats good for you. Free download this little gem below.
Never before has there been such a focus on ATL branded ‘trap’ music, which is great for the undisputed king of A-town Daniel Disaster (Heroes x Villians) because he’s being doing this long before it caught fire on the blogosphere. In February, he debuted his new VAVLT BOYZ project, which fuses everything from UK Funky to Gucci Mane. On the third installment of the mixtape series, VALVT resident DJ Respire takes the reigns and produces a bass heavy landscape that’s equally as lucid as it is dark.
“Youth in Trouble” is the first original track released by Australian electro duo The Presets since 2009, and we couldn’t be more ecstatic about it. It employs a harder Techno edge, allowing it to transcend its groovy Nu-Disco roots. “Youth in Trouble” is bizarre, dark, and delicious, all the while maintaining a casual feel. The music video accurately sums it up: an offbeat kaleidoscope that oscillates between disturbing and nonchalant. We look forward to hearing more from the Presets as their new album, Pacifica, is due out in September. Check out the original in the video above and stream the remix from our friends The Finger Prince and Light Year below. √+Continue Reading
Our good friends over at Schitz Popinov have partnered with Vancouver artist, Konrad OldMoney, for the SOLAR MAXIMUS EP slated for release this Thursday the 21st. Equipped with a beautiful piano riff and tribal, drum circle-like percussion, this remix of Santigold‘s ‘God From The Machine’ is being classified as Global Bass, and I think I’d agree with their genre placement. If you’re wanting to listen to something a little exotic, intriguing, and well-produced, give this one a go and grab the free download over at the Konrad OldMoney Bandpage. Continue Reading