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If you’re a house head and you don’t recognize the name Billy Kenny, chances are you already know his widely reputable tracks. With tracks supported by so many heavy hitters in the scene, there’s no doubt you’ve caught his sound rinsed in clubs and festivals worldwide. Aside from releasing on Dirtybird and co-running the hidden gem of a label This Ain’t Bristol, Billy now has brought his production onto the perma-hot Australian label Sweat It Out, delivering a howling bass heavy flip for Benson‘s new single “Hollow”. The remix is officially out today, so we caught up with the man himself about the release and his upcoming shows in the USA.

Billy Kenny! Probably one of the most underrated producers right now, with everyone supporting your music from Skream to Chris Lake to Claude VonStroke. What’s one special ingredient that goes into a Billy Kenny track?

Thanks for the kind words! I test everything I make, live in my set’s before they go out as a demo to labels, so if it doesn’t work in the club, it’s most likely going in the bin (or “trash” if I’m in your neck of the woods!) I guess that’s not a specific ingredient, but definitely a formula I’ve been going by.

You’ve got a new remix for Benson just that just dropped on Sweat It Out. How did that come about with those Sweaty Aussies? Was it an easy flip of the original or a major process to get it where you wanted it?

I have indeed, Benson just hit me up out of the blue actually. As soon as I heard the original I was keen, but the final version being released was actually my third attempt! I scrap any idea I’m not fully into after three hours, which is what I did with the other two. Third time lucky aye!?

Your co-owned label “This Aint Bristol” churns out some of the best in underground house music, and your set for a 15 track compilation on September 24th. What was one thing you looked for in selecting the tunes? Who can we expect on the release?

Thanks! Yeah, I’m so excited about the compilation, it’s definitely my favorite release from TAB to date. I have a lot more freedom with our VA’s, so picking tracks for them is always much more fun. I had an idea where I wanted to go with it, but having each individual track stand out as much as possible was my main goal. “Even More Selections” has everything from absolute weapons to warm up and closing time stuff, so a bit of something for everyone! I won’t spoil the fun, but can tell you there’s stuff in there from artists we’ve previously worked with, new faces and of course contributions from our team including Maximono, Abby Jane and myself.

So we here a USA tour is in the works, with some big dates @ The Dirtybird Campout, HARD Day Of The Dead, and Holy Ship!… What are you most excited about with the American shows and the crowds?

I’m crazy excited for all three of these! I’m sure they’ll all be huge highlights of what has already been the best year for me so far and I’m really grateful to Vonstroke and Destructo for bringing me over there. First of all, I can’t wait to eat a burger from Grillson at the Campout and meet the rest of the DB family! I’ve been watching after-movies from HARD and Holy Ship! which both look unreal! Basically all three of those shows are most likely going to blow my mind! I’m getting pumped thinking about them now, so I’m moving on to the next question.

If you weren’t DJing/producing, what would you be doing?

Nobody knows this, but when i first moved to Germany, it was at a time when there wasn’t a lot happening musically, so i applied for a job at a coffee manufacturers just to stay above water. Anyway, about a week later, things just started to fall into place starting with a call i got from CR2 Records who asked me to do some sample pack work for them. A week after that i found a wicked studio to rent and moved in, so i knuckled down and worked on my music. In answer to your question, I’d probably be bagging up coffee beans!

Listen to Billy Kenny’s remix for Benson “Hollow” below, and watch out for This Ain’t Bristol Even More Selections compilation out September 24th!

Billy Kenny on
This Ain’t Bristol


There’s no denying DJ Dan is one of the forefathers of house music.  His roots dig into the very soul of this vast, head pounding, foot stomping, dance fever-inducing love of ours.  We jumped at the chance to shoot a few questions his way and catch up with the legend.  As he gears up for One Tribe Festival, he walks us through his year thus far, as well as his own thoughts on his place in the scene.  Read the full script after the jump!

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Jesse Rose has been at the forefront of the ever-expanding electronic scene, championing house and DJing around the world for ten years now. The success of his breakout single “Asided” in 2005 saw him gain global accreditation, and over the years he’s released hundreds of tracks, kickstarted House’s integral part of Berlin’s famous Panorama Bar, opened four record labels, produced the likes of Hot Chip to Chiddy Bang, remixed everyone from Metronomy to Childish Gambino, and DJ-ed damn near every one of the world’s greatest clubs.

So, naturally, being the timely persons we are, when we saw he was deep in the middle of a worldwide tour following the start of his fourth and latest imprint, A-SIDED, we couldn’t help but want to catch up for an interview. Keep reading for Jesse’s updates on the label fronts, his savvy travel tips, life in Ibiza residencies, and more.

Jesse’s latest release comes from the legendary Alex Gopher in the form of a remix for his last single “Touch ‘N’ Tease” and came out just last week on his own A-SIDED. Also worth checking his clever remix of Childish Gambino’s “Telegraph Ave”


To get us hyped for their big show this Saturday night @ Exchange LA, I caught up with house music lords Chris Lake and Amtrac for another cheeky edition of our Quick-hitter interview series. The two have never met, but we found plenty to be sized up in their comparisons of Los Angeles and preparation for the gig. Let’s get to it!


1.) Whats your favorite track (original or remix) by Chris Lake?
Chris Lake – Chest (Original Mix)
Deadmau5 – Faxing Berlin (Chris Lake Edit)

2.) First memory of coming to LA?
I remember leaving my phone in a car when I went to a show in Hollywood. I ended up having to find my way to some party on Mulholland to retrieve it. Mulholland Drive is such a tight movie, so I didn’t mind the journey so much.

3.) You’re driving a convertible around LA, what song is playing?
CAN – Vitamin C

4.) Go-to spot to eat in LA?
The King of Grill in Hollywood / the fire walk up tacos

5.) What non-music celebrity would you go b2b with and why?
Shia LaBeouf, because I’m sure his tracks would “Do It”

6.) 1 thing you want Chris Lake to know before the show July 11 @ Exchange?
I probably won’t play any AC/DC


1.) If you weren’t making music / DJing what would your job be?
I’d probably be designing tall buildings like skyscrapers and bridges, things like that. It always fascinated me as a kid.

2.) First memory of coming to LA?
I played Monday Night Social 8 years ago so that would have been my first trip here. There was a heat wave and I thought I was going to die in that temperature. It did take me a few trips to get used to it here though, but now I love it and I’ve been living here for nearly 4 years.

3.) You’re driving a convertible around LA, what song is playing?
Anything by the beach boys

4.) Go-to spot to eat in LA
M cafe on Melrose

5.) What non-music celebrity would you go b2b with and why?
Idris Elba coaches a bad ass and he can also DJ (I know I kinda cheated)

6.) First thing that comes to mind when you think of the word ‘AMTRAC’?
Journeys with a view to San Diego (on a train, obviously)


Don’t miss Chris Lake and Amtrac alongside Satin Jackets, Mister Blaqk, and our very own BONES this Saturday, July 11 @ Exchange LA in downtown Los Angeles!


San Francisco-based musician, Rob Garza, holds a legacy that will surely outlast the test of time. As a founder of the international music group, Thievery Corporation, Garza was at the forefront of electronic music movement many years ago, and after decades of accolades, he still remains as a trusted tastemaker as his genre-defying music continues to resonate within listeners around the world. By fusing elements of dub, trip hop, reggae, and bossa nova with an electronic backbone, he’s created his own lane that has inspired other artists to follow in his footsteps without regard to the status quo. Now as he continues on his journey as a solo DJ/producer, Garza explores new sonic frontiers in dance music, while also starting his own label, Magnetic Moon Records, with his debut Palace of Mirrors EP, due out next Tuesday, March 10th.

In celebration of Garza’s new EP, we sat down with him to discuss the release, how music is a type of transportation, why he returns to Burning Man year after year, how the thriving electronic music scene is a double-edged sword, what’s next for his solo career/Thievery, what he likes to drink (of course!), and more. Read the full interview after the jump.

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At the tender age of 19, XO has begun a budding career as a multi-faceted producer, songwriter, and DJ out of the UK. His sound, forward; his lyrics, relateable; vibes, on point. It’s exactly what I’ve come to expect out of the UK at the moment, illustrious coupled basslines with diverse percussive arrangements that accentuate the featured vocalist. For his debut EP, “Through The Night,” a three track feature takes place with a credible range of tunes from sultry sub-soul to to hustling UK garage that is reassuring for his Freshmen release. We got the chance to exchange words with XO after “Through The Night” was released on December 1st where his affinity for Justin Timberlake comes to life, his highlights from the year as a newcomer are revealed, and some possible projects for 2015 divulged.. dig in! Continue Reading


It’s pretty safe to say that Dirtybird is on a tear, and we were lucky enough to reserve a sit down with the first lady over at their camp, none other than J.Phlip. Check out our conversation with this crate-digging crowd pleaser, as we cover everything from her debut tour as a headliner, to her snacks of choice…

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The homie Justin Jay has been on the underground scene for years now, and he’s just entered his senior year of college. The classically trained producer explains the balance of work and school in this rad lil mini-documentary filmed in Los Angeles. Get to know the Dirtybird Records prodigy a little bit better in this short but informative vid from NHQ.


To get you ready for their headline show tomorrow night 9/12 in Los Angeles @ Exchange, we caught up with the LA-based duo Oliver, who’s techno driven yet disco spirited sound has catapulted them to wide spread support and made them a household name along the festival circuit.

GDD: Your Light Years Away EP just dropped this week on Fool’s Gold. Both ‘Light Years Away’ and ‘Fast Forward’ boast massive techno driven bass lines that reconcile with disco and funk chords and vocals throughout. What was the inspiration behind the 2 tracks?

OLIVER: If I remember correctly, Vaughn had the idea for the main bassline in Light Years Away and we just started building the track around that. We wrote the section that ended up becoming the bridge on piano and the lyric/melody with our friend Ryland. A lot of the time we aren’t really sure what parts are going to end up in the finished song so we like to try a bunch of ideas and see what sticks.

For Fast Forward, we had that little vocal part from some other song that ended up not going anywhere. We always liked the idea and actually tried to use it a couple times but it never went anywhere. This is a great example of having a vocal idea or song title and letting that dictate the direction of the track. We actually used the iPad a bunch on this song. And the final bassline that you hear was like one of 10 that we ended up settling on minutes before having to hand the song in.

GDD: Your production has evolved over the past few years, as you guys have played bigger shows and festivals? Has that had any effect on the productions?How would you describe what makes it an “Oliver” track?

OLIVER: We try our best to play out tracks that will translate well to crowds while at the same time be something we can stand behind. I think that has become something that is a motivator in the studio, to make songs that can translate in a live setting but not sound like everybody else. I think these two tracks are prime examples of us just having come off the road and wanting to have something original to play.

GDD: You’ve become really close with Destructo and the HARD family, both in the studio and on stage… how did that all come to be?

OLIVER: We work with a company called Pulse who manages us and Gary is a close friend of the Pulse team. That’s how we all met and started to collaborate on music in the studio.

GDD: This Friday you guys play Exchange in downtown Los Angeles. What’s your favorite thing about performing in LA and are you excited for such a big headline show?

OLIVER: Yeah! It’s gonna be a fun one. Definitely feels good having all our friends and team there who have been so supportive since day one. We are really excited to have some new material out and also working on a lot more of it. Hopefully we will be able to test out some demos on the night.

GDD: It BONES birthday party on Friday… what’s the worst/most embarrassing birthday memory you guys (each) have?

OLIVER: Oh man, I’m pretty sure every birthday of mine ends in embarrassment. I’m pretty sure we’ve all had those birthdays where people wont stop buying you shots. I mean, it would be rude not to take them right? Haha


Great tracks are often swept under the rug, dismissed, and forgotten. It seems that now more than ever, there are heaps of tracks that are given a second chance after being scooped up by bigger labels. We caught up with Amtrac, who is having his 2012 hit ‘Those Days’ re-released on the legendary Toolroom imprint.

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