Catz ‘N Dogz‘ Pets Recordings has just announced its third edition of Friends Will Carry You Home — the curatorial compilation series featuring the imprint’s fine family including Trikk, Nick Monaco, Kill Frenzy, Catz Eats Dogz (aka Catz ‘N Dogz vs. Eats Everything), and longtime GDD™ favorite, Danny Daze. The 18-track compilation will be released in three parts over the month of May and will host a treasure trove of some of the best House and Techno out there at the moment.
And speaking of top tunes, we are happy to premiere today the full preview of Danny Daze’s contribution to the compilation — a heady, atmospheric Techno mover titled “I Can’t Breathe,” which will be released in the third installment of the compilation on Monday, May 19th. Listen to the √+ track below and read on for the full tracklist and release schedule.
Today, we have a special feature for the dirtybird-affiliated talent known as Worthy. He’s given us the premiere of his outstanding re-work of ODB’s “Shimmy Shimmy Ya” that brings a striking bass-heavy ghetto-tech sound to the classic tune. Additionally, we’ve conducted a quick Q&A to catch up with him about his forthcoming releases, this re-work, and his other future plans. Have a listen below and check out the Q&A after the jump.
I’ve got to be honest here– it’s pretty neat to see your best buds produce music you really love, particularly when it’s one of GDD’s own. The first time Tropicool played this out, I leaned over and asked him what the Hell this remix was. You can imagine my delight when he replied, “an old analog Juno and some incredible stems.” You sly bastard.
His signature touch of feel-good cosmic radiation we know from his mixtapes and Waves ≠ Raves series shines through into his production as well, which that fabulous, fat bassline punches over all the way through. I’m not huge on disco, but I’m a sucker for a big sexy groove when I can get it, and this one’s got me hooked. Pour yourself a glass of rum and tell people it’s iced tea, there’s no turning back now… the funk has been unleashed.
With a pair of remixes already under his belt this year, the London-based Swede, Blende, has been keeping busy in the studio working on projects like his forthcoming Paramount EP that’s set for release on Monday, April 7th via Eskimo Recordings. He now gives us a proper first taste of his new EP with the unveiling of the title track. In “Paramount,” Blende brings a peak-time vibe to his modernized, funky disco style with big piano chords, driving grooves, and layered synths – all seemingly arranged with the nightclub in mind. If this single is any indication, the Paramount EP is bound to be a crowd favorite. Stay tuned for Blende‘s GDD™ Guest Mix coming next Wednesday, April 2nd.
We’re less than a week away from WMC and our showcase with Sweat It Out Music! Today we feed the fire and bring you the exclusive premiere of Plastic Plates new original “Nothing Like You”, forthcoming on Club Sweat. This production is 100% vibes, with a funky house rhythm atop a beautiful vocal teasing throughout the track. As mentioned in the description “Bob Marley said that one good thing about music is that when it hits you, you feel no pain. ‘Nothing Like You’ epitomizes this. FEEL GOOD music at it’s best. Put this on, take your lover, (or lovers), and go smile and dance in a field.” Listen below and get down with yo bad self!
Don’t miss Plastic Plates @ Sweat It Out! MIAMI – next Tuesday, March 25th @ The Electric Pickle!
To get you ready for his debut performance @ EXCHANGE LA this Saturday, we bring you an exclusive promo mix by the one and only Seth Troxler. One of the top ranked DJs in the world rolls through Los Angeles this weekend and its gonna be one for the books… Listen below and don’t miss out on the show!
“Many people have asked me why and how I make the music I make. My surroundings have always molded how and why I make my sound.”
A GDD favorite and familiar, the Russian native Proxy has emerged back on the scene with a visual statement of the topical situation he lives in. This short film by Sean Robinson was shot in Proxy’s home city of Orekhovo-Zuevo in late Feb 2014, and gives a small insight into what makes Proxy the producer he is. Although a non-political insight into his world, it shows the pressure of his surroundings nonetheless. An elusive character, he invites us to take a subtle look into his life and what the man is about ahead of his Summer run of USA dates, and his new music forthcoming in mid 2014.
We’re very lucky to be bringing you this exclusive… the UK native and bass friendly Shadow Child has finally crossed the pond to come perform in the US, and he’s making his Los Angeles debut at Exchange LA this Saturday night! Coming off his massive essential mix debut last weekend, what better reason then to talk with the legend himself about how this whole project came to be and what he has planned for the future? Not only we’re we able to get some great insights in the interview, but we also have a very special VIP download for you guys
Read the interview + download exclusive VIP (after the jump) Continue Reading
Crookers‘ “Heavy” has been on serious rotation since Phra unleashed it last month. Aptly named, the single due out March 23rd hits some lower than low spots, with an undeniable, eclectic Crookers bounce and NSFW second build. Prior to the release, Crookers has called upon Parisian producer, Donovans, for a remix of the bass-heavy tune, and he’s stuck with the #HEAVY vibe while adding some new flavor in as well. This isn’t the first time Crookers and Donovans have linked up either, as you might remember Donovans reworked Crookers’ “Hummus” back in 2011 for the Mad Decent release. Have a listen to the new one below. √+
Today we’re excited to give you the first look at the video for The Presets newest single “Goodbye Future”. Set inside a club with crazy time altering abilities the video shows us what clubs would have looked like with patrons from past, bringing us to question what exactly the 2 Aussies mean by goodbye future?
And don’t miss The Presets on tour this spring! More info after the jump: