Author Archives: troy kurtz

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GDD has teamed up with Healthgoth.com to bring you a definitive soundtrack for your workouts. We’ve enlisted some of our favorite DJs and producers to make mixes for you to blast in your headphones to help drown out the Top 40 and help you finish that last rep. The first mix comes correct from Philadelphia Street Bass God, Starkey, with an hour of grime and heavy bass to celebrate his new record, BA66, which just dropped on SMOG. Tune in and get to sweating.

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What better way to start off the week than with a serving of French techno. The Fake Music label boss Yoann Feynman has teamed up with Monomotion to give us the banging ”Gaza”. Driven by a sinister bassline that would have fellow countryman Gesaffelstein proud, it takes a cinematic approach with a tension-building breakdown that begs for a Ryan Gosling car chase a la ‘Drive’. The Parisian based artists are crossing the pond to set up shop in LA in 2015, so expect to see a lot more from the Fake imprint.

 

Almost a year ago, the Miami based outfit Sluggers crept onto the scene with a 4-track package on OWSLA. It was a blend of thumping, warehouse inspired techno that raised more than a few eyebrows. They followed that up with a release earlier this year on Fools Gold, which saw them shift gears slightly to glitchy synth work and wobbly bass growls, however, their latest efforts seem to have reverted back to their original approach. Their Voyager EP, which dropped yesterday and is available for free download courtesy of Main Course, sees the duo make considerable strides on honing their sound. The standout track is Particles, which is an absolute weapon that’s fully equipped with a bellowing siren and processed snares that are fit for an ENTER stage. Contact follows similar suit with tidy percussion work and slick vocal chops, and Horizon closes the EP out with dirtybird-esque breaks and bass design. This release is another reason why Main Course has quickly become one of the most influential labels in the game right now, and should also give Sluggers some proper momentum heading into 2015.

After the success of their track, ‘That’s Right‘, which came out earlier this year on Mad Decent, Wuki and Jesse Slayter have teamed up once again to energize The Weeknd’s lullaby, Often. And in an exciting turn of events, it appears that Bmore is making a solid push to come back into the lime-light. It warms my nostalgic heart to hear the sounds of yesteryear seamlessly merging with the production prowess of the the present, and I tip my hat to these guys who are pushing the boundaries of dance music. Also, major kudos to Wuki, whose banner year hasn’t stopped as Jack U just included 3 of his tracks in their Diplo & Friends mix that dropped earlier this week. Expect to hear a lot more from these guys in 2015.

After setting the internet ablaze last week with his New Slaves Routine, Craze is back with a new track called ‘Bow Down’ that features the Dade County legend, Trick Daddy. While his talent on the decks is indisputable, his foray into the production world is now well solidified with this tune. There’s a palpable level of anger in both the routine and track, and it’s clear that the DMC champion is making strides to educate a generation of dance music fans that there’s more to DJing than just pressing a button and dancing around stage like an idiot. Look for this track to drop soon on his label, Slow Roast Records.

LA label Nite Records is back at it again with the release of Austin Frank’s dreamy Balearic ballad Move Ahead. The Miami-based producer pairs a deep, pulsing groove with syncopated drums on a dreamy sunset cruise. The young label shows no signs of stopping, adding Austin Frank’s refined international sound as the fourth release to their rapidly expanding catalog, both building momentum into 2015.

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The Venezuelan duo Fur Coat have spent the last few years climbing the rungs of the underground ladder and are firmly planted at the top. Since the release of their 2012 anthem ‘You & I‘, the duo has shifted gears from sing-along deep house tunes to chugging, techno burners as reflected by their most recent Crosstown Rebels release, U Turn. After a strong summer touring clubs like DC10 in Ibiza and Treehouse in Miami, Fur Coat gave our friends over at Boomrat an inside look into their secret weapons. Stream the entire playlist below.

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Frames + Liz x3

As we’re inching closer to the business end of 2014, there’s a new label bubbling up out of Australia named October Records. The most recent release comes from label affiliate Frames who pairs up with Elizabeth Rose to provide a two-sided ‘Intentions/Anywhere‘ EP that shares a nice space somewhere between disco and house. Frames dims the lights on his ‘Late Night Dub’ of Intentions, which is a slow burner that morphs into a groovy acid number that’ll have bodies moving till last call. Check the track below and make sure you keep an eye out for these Australian kids as they’re gearing up for a spicy Summer.

HarmonikElektronik’s track “Feel the Music” has taken a dive into the deep end with the touch of Mexican maestro Louie Fresco. This tune is already doing the rounds at clubs like DC10 and Pacha, and it definitely rides that 3am vibe. HKEK’s Chris Long, the producer of the original track as well as label boss of Furtive Music, is set to release the track on October 7th with additional remixes from MANIK and Climbers. Louie Fresco, who just recently put out his first full length album on Art Department‘s label N0.19 Music, is making waves of his own after having a solid go this summer at clubs and festivals worldwide. Hopefully this won’t be the last collaboration between the HKEK and Louie because this one left us wanting more.

After being named as one of Boomrat’s Top 50 Emerging artists, Amtrac is well on his way to becoming one of this year’s most consistent producers. His take on RAC’s Cheap Sunglasses, which features the catchy vocal licks of Matthew Koma, sees him skimming the waters of a progressive landscape, tipping the hat to early Kaskade and deadmau5 productions. There are euphoric moments driven by his classy chord progression and energetic arps, but they’re laced with a bit of melancholy from waning strings and moody pads. It’s no wonder that he’s gearing up to provide support for Kygo on tour this Fall, and I don’t think it’ll be long before we see him headlining tours of his own.

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