Author Archives: Laura.


Wax Motif really just knows how to work with music. Whether it’s deep or energetic, mainstream or underground, seems like the native Australian has his ears to the ground with how to make things work. With two identities, one as the more mainstream Wax Motif, and the other as the deeply underground Playmode, it comes as no surprise that he’s been putting in some serious studio time. Most notably through the twittersphere we’ve seen that a lot of it has been with Destructo… and some rappers… so I can’t wait to see what officially comes from all that.

He just dropped his mega remix of the brand new Tinashe track, ’2 On’ with an amazing feature from Schoolboy Q. Totally club ready and indubitably made for girls and guys to get down to (or get really down to… hehe) I’m hoping this energetic fusion of club / R&B / house is a sign of things to come from Wax Motif.


Crywolf and Ianborg partner up for a second time to release a massive free download upon the world. After the viral success of “Oceans” in 2013, the duo have gotten back together to successful effect once more. Their new track ‘Stay’ is an eloquent and emotional track, slow but heavy on the bass and distortion. With heavy kicks tactfully strewn across the track and piano melodies throughout, the track is carried by the crisp male vocals which cry out about love and loss. Crywolf is notably good at making tracks that build, crash, and melt like waves, and this one is far from an exception.

You can download the track from the pair below, and keep an eye out for Crywolf’s second EP on Le Castle Vania’s Always Never label which comes out later this year.

On Tuesday Los Angeles based creative genius Jerome LOL released his Deleted/Fool EP on home label Friends of Friends. Having previously released an album on FoF as the now defunct LOL Boys, Jerome’s new EP is his first official solo release. I could throw words around about Jerome being a sort of avant-garde musical and visual curator, or how his aesthetic bleeds originality in its cheeky complexities and colorful simplicities – but that would be selling him short, and missing the point. My lack of ability to really envelop Jerome LOL as an entity is precisely his appeal. The off-kilter balance of this ‘tumblr-era x internet 1.0 x 90′s branding’ visual mish-mash with the delicateness and deeper meaning of Jerome LOLs musical endeavors is in my humble opinion so cleverly curated that I am just consistently in awe. Jerome’s filtering and curating of a dizzying amount of visual and audio influences from everywhere across the spectrum into a concise and branded look and sound is something I’ve always respected. His DJ sets are interesting and fun, his label Body High is a wonderful homage to LA and dance music origins while keeping releases and artists fresh and cool, and his music videos are insanely unique and some of my favorites:

The four-track EP begins with “Deleted,” starts with Jerome’s signature swinging drums, in true-to-form fashion created by an antiquated and distorted piece, the DJX-2. The claps and swing fade as Sara Z’s cool and sensitive vocals come in, with clear cut changes in the cord progressions between each verse carrying the mood. It’s these subtleties in the undertones that reveal the emotional complexities of the track – doubling computer jargon with the destruction of a relationship (“we’re offline, no course of action” “control, escape, command, delete, it’s all in our hands”). The track evolves and grows in almost pop-song format with repeated choruses and verses, a bridge and an outro, which shuts off all the drums just before Sara utters her last line- printing the track in your head.

“Always” continues with the cymbal-heavy, swinging drum patterns, this time lighter in feeling given the faster pattern & more effervescent vocals. The keys in the chorus are touching and warm, and the various inflexions of Sara’s voice on the word “Always” is captivating and soulful. The heavy distortion on the bassline and clanging drums on “Fool” flip the EP from pop-leanings to a much more club/warehouse mindset, until Angelina Lucero’s melancholy and poignant vocals rip you off your shuffling feet and onto the floor. But as the heavy bassline fades, a glockenspiel-sounding bridge comes in before Angelina’s chorus comes in, aided by incredibly pitched-up echoes of her voice carrying each line. The clanging drums and garage moodiness are met by the pitch shifts and “this instrument can never sound sad” use of the glockenspiel – it’s this touch of color in an otherwise entirely depressing track that is a common theme in Jerome’s work. The EP closes with “True”, another considerably moody song from Angelina Lucero’s teethy and slow vocals and sort of rain-down-your-windowpane piano chords that rain so heavily on the track it nearly drowns out her vocals until the very end.

Like with all artists that have developed their own signature patterns and sounds, I see the argument from both sides on Jerome’s heavy use of jazzy/swing drums and pop-oriented progressions: on one side it doesn’t have an grand sense of variety, but on the other it’s clearly a sound and vibe that nobody else is really doing. You can identify a Jerome LOL track from just a few seconds of listening, but because of that the tracks can be considered to start sounding the same. I’m personally more drawn to the ‘Deleted’ half of the EP, which to me is an example of the vibe of work I enjoy most from Jerome; the ‘Fool’ half dives much deeper into a darker side of his music which I simply do not grasp as well – I think that’s a side he’s still sonically developing. But I do have to give props to Jerome for really nailing the structure of his tracks.

You can purchase the EP on Bandcamp HERE or on iTunes HERE:

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Laura D and Three Wise team up yet again to bring this weeks top picks for the Dirt! Check out some chill vibes from Patchrik, King Thing, Marvin Gaye and Duncan Murray a lil bit of hip-hop from Childish Gambino, Nosaj Thing x Chance The Rapper and uplifting deep cuts from Kill Them With Colour, Kenny Gray and Autograf.

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Symbols artists ATLAS are back with their second official release on Symbols, appropriately titled the “Sophomore Sessions EP.” The atmospheres provided by Atlas are always warm and beautiful, like the soft feeling of spring sun on your skin. Opening with Ashycan, a sweeping tune with an off-kilter drum beat – Atlas sets the mood for the EP but surprises the listener with very different drums and structural patterns on each track. The drums on Monday Beats orient themselves in a more garage direction, and the essence of the earliest moments of a Monday are captured wonderfully, caressed with softness & the ambience of your mind before stress and alertness sets in. California is dripping, aided heavily by the lightest touch of keys, a heavy sprinkle of blips and bloops, and the lovely vocals of Emily Harris. The final track, Glow, drifts the EP off perfectly, with a simple 4/4 pattern and soft melodies.

Overall it’s an EP that’s hard to be mad at, a meditative and tender delve into the softer end of garage and house. I’ve always appreciated Symbols for their ambiance and close connection with the sensual and exciting feelings aroused by oxytocin and seratonin in the brain, and the Sophomore Sessions EP is very true to form for the label.

The music video for “California” off the new EP was released on Atlas’ YouTube yesterday. It’s a beautifully colored and lighthearted video chock full of carefree or internal-thought behaviors, skating, taking in the environment, walking along the beach. Lots of rain & puddles which with this drought is a rarity here in California but a beautiful touch nonetheless. Kinda want to head to Venice Beach and vibe out now….

One of the first tracks I discovered from Le Castle Vania was his exceptional remix of Walter Meego’s ‘Through A Keyhole,’ and ever since then I’ve always respected his skill at really flipping tracks into energetic remixes. I didn’t really vibe the original track from Meego but best believe the Le Castle Vania remix had me singing (and dancing) to a different tune, metaphorically and literally.

Well it’s 2014 and Le Castle Vania’s been having some fun downtime in the studio re-working some of his older remixes. My guess is there’s some other updated remixes in his arsenal (let’s hope one of them is ‘Rave Is King’ cuz that was a frigging T U N E) but obviously the first one to drop is his fresh new look at the ‘Through A Keyhole’ remix. Although the general feel of the remix remains the same, the slight adjustment to the chord progressions and melodies and CLEAR tightening of the mixing make all the difference. Like buying a great outfit and getting it properly tailored. Plus he’s giving it up for download so really it’s just a no brainer here.

Stay tuned for likely more re-works for Le Castle Vania, the remixes to his Prophication EP drop soon on mau5trap too.

Finally we get to see some original content from the legend that is Jerome LOL! His brand new EP, Deleted / Fool, on home label Friends of Friends sees its release next month (February 4th to be exact) but today he’s just shared the first single from the EP, featuring the beautiful vocals from Angelina Lucero. Some of you may recognize Lucero from her appearance on Jerome’s previous venture, the Changes LP from LOL Boys.

“Fool” is a developed sense of self from Jerome, an elaboration upon his signature weirdness that places him in a category of producer all his own. Although this is a sort of new sound for Jerome, it’s very much still him. With heavily laden bass drums with skittered snares and chimes rising subtly above them, the track is a heavy clanker with heavy techno leanings, until Lucero’s vocals come in, surprisingly taking things to a simultaneously warmer and haunting place. And in very true-to-form Jerome LOL fashion, he’s got a brand new website up where you can trip out for six minutes with the track. Uh, I think ‘jerry-built’ would be an applicable pun here.

Stream the new track below, and if you want to preorder the whole EP (psst… I listened to it and it’s very good) you can do so by clicking HERE.

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Jesse Rose makes a lot of music. After successfully completeing a twelve-month release plan over the entirety of 2013, his third studio album drops next month. But even that isn’t enough for the veteran house producer and DJ. Today he dropped a bomb on the internet, announcing that for the next twelve days he’d be giving away an additional twelve tracks, the lot of which he’s appropriately calling The Free Twelve Inches.

The tracks are available for streaming on Soundcloud through his label Play It Down, but all you’ve got to do to get the tracks for yourself is head over to his official Facebook page and click on the “Download Music” tab. If you’re a fan of his page, you’re two clicks away from a handy little .zip folder of twelve fantastic selections of Jesse Rose tracks, from instrumentals to remixes to plenty of original works.

The Free Twelve Inches is available for download until January 27th. Access them HERE.

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Ah, another year, another round of Gotta Dance Dirty’s roundup of the year’s ‘sexiest’ DJs from NYC’s very own Three Wise as well as yours truly. What started as a joke turned in to a mini internet frenzy and more importantly ignited a discussion of to what makes a DJ ‘sexy’. 2013 was a big leap for dance music, and aiding this leap was a fine selection of boys and girls who in different forms and ways got the world excited about music. It’s more than just looks, it’s more than how many groupies want to send you naked snapchats. So much more. To be a sexy DJ you have to ultimately hold your own, to be identifiable and recognizable amongst the masses as someone predominately good at their job, have their own sense of fashion, humor, and philosophies, someone who is confident in who they are and what they are capable of. In this sense, we’ve gathered our favorite ten DJs that have made an imprint on us this year, sparked a sense of excitement and wonder in our eyes, ears, and hearts.

So without further ado you can find our selection of the ten sexiest DJs of the year after the jump, my selections in BLUE and Three Wise’s in RED.

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O&A, the legendary combination of Louis Osbourne and Jamie Anderson, have been riding steady under the riptide of house music, maintaining the stream of pure, danceable tunes that act as precise club weapons across the globe. I’d expect nothing less of a duo where each of them have lived and breathed music from birth. Their tracks on home label Play It Down are almost confoundingly simply and thusly extremely effective. In cooking, adding fat is said to add flavor, and in the case of O&A it is the same. Fat tracks with a Chicago influence are the bread and butter of house, able to be mixed and added and interpreted by DJs and fans alike.

I’ve managed to catch the fine gentlemen just before the holidays, and since all three of us were feeling generous (tis the season) we’ve managed to package up a lovely little exclusive interview and 70 minute mixtape for your pre-Christmas pleasure. So while you’re on a plane, train, or car to head home for the holidays, press play and bump this away to your heart’s content.

You can check out O&A’s latest EP on Play It Down here: O&A – BASEMENT BEATS EP

INTERVIEW AND MIXTAPE AFTER THE JUMP!
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