LA Legend Thee Mike B launched his new house-ego Brillstein earlier this year on Jesse Rose’s Play It Down label with the heavy-hitting EP Back To Bed. Filled with six tracks that perfectly capture Brillstein’s style of big, punchy house drums and hip-hop / old-school influences, the Back To Bed EP allowed for a ton of room and direction from the remix front. After Play It Down’s previous remix package (Jesse Rose’s The Whole Twelve Remixes) delivered tracks from legends and newcomers alike from all over the globe, the Play It Down vs Brillstein remix pack comes fully stacked with an all Play It Down roster. Of course label-head Jesse Rose kicks things off with his remix of “Meelo My Bro”, recent PID champion Christian Nielsen ends it with his “Je T’Adore” remix, and a few more of the label’s rotation of producers (namely Dansson, ZDS, Prince Club, and Sqim) each put their own spin on Brillstein’s tracks. It’s a wonderful showcase of how Jesse Rose, as A&R for the label, can curate such a mix of house and techno stylings while still remaining very within the Play It Down umbrella. Inevitably members of the label know how to make a track to groove to and it’s present as much as ever with the new remix package.
As a bonus, Brillstein’s fellow LA friend and producer Matpat had his way with Brillstein’s “Environmental Produce” which they’ve given to you for your downloading and listening pleasure. You can stream all six remixes below, buy them on Beatport HERE and instantly download the Matpat remix by clicking HERE.
Just over a week ago LA-massive Mad Decent dropped a five-flush remix pack of Elliphant‘s “Only Getting Younger feat. Skrillex” on their Soundcloud and like some of the best things in life that shit is free.99! Predictably all of the tracks are heavy hitters, ranging from big-room horn-heavy bounce vibes from TJR and Brazzabelle to the moombahton-tempo squaks of the Milo & Otis remix, to the sped-up DnB halftime version from DJ Vice & Justyle, to my personal favorite sort of experimental melodic trap/beats version from NGTMRE and Imanos. Regardless of what your style or taste is, this is a classic encompassing Mad Decent Party Pack that not only showcases a festival-ready range of styles but also a great look at some of LA’s biggest and baddest upcoming talents.
You can preview the whole pack below and download them over on the Mad Decent Soundcloud.
House music champion Jesse Rose has unleashed his first single of the year (after releasing a full length album + remix album back in February and March), and in true-to-form fashion its a very cheeky and catchy tune – this time an ode to the honorable French house scene. Out now on his label Play It Down, “Fly Tonight” is filter house in its unadulterated glory, its charm and melodies happily bonded with a stomping bassline and drums. The song, along with the super-filtered lyrics, are quite simple in their intent: let go and have fun.
“Fly Tonight” along with a dub version are available now on Beatport, everywhere digitally July 21, and on a very limited vinyl I’m sure you’re going to get your hands on if you’re an in-the-know collector of French house records. If you know, you know…
Purchase FLY TONIGHT here: http://bit.ly/flytonightbp
It’s a bold move to release an album that was self-described as “cold, bleak, glacial” just after the summer solstice, but it appears as though Anticon co-founder Alias has done just that. Three years post-Fever Dream has put Alias in an almost inescapably frigid place, sonically. His new album Pitch Black Prism is unrelentingly ominous, its barren urgency takes shape in sharp, crystalline form. Truly a metaphorically glacial album – iced, structured, oddly beautiful, and with much to be seen under the surface. If you’re a Boards of Canada / Aphex Twin fan… you’re probably gonna like this one.
Always Never label head Le Castle Vania is firing up the label (cheesy pun well intended) with his latest EP, Feels Like Fire. In it, Le Castle Vania continues to explore re-evaluations of his old records, as well as showing off more collaborations and vocalists from artists we’ve seen him work with in the past. It’s clear Le Castle Vania puts a lot of time into his tracks… the finesse in his technique is noticeable with the structure and engineering of every track on the release. The EP is noticeably less dark and aggressive than his previous work on mau5trap, the signature is all still there but Feels Like Fire makes more of an adult, emotional statement.
The EP begins with “Nobody Gets Out Alive Part II” – where Le Castle Vania revisits one of his older hits (previously with “Through A Keyhold Part II”). New synths, melodies and breakdowns on the track see Part II with an even clearer focus and an amplification of energy and aesthetic. “Come Together” is the second track and lead single for the EP, instantly enticing you with a haunting yet simple synth line. The track then tunnels into a high-speed adventure with a jumpy and pitched drop. At this point in the EP (and in general) it’s quite clear that Le Castle Vania sonically lives in a super-future universe, it’s TRON with all of the bad-assery and none of the cheese. The third track, “Moving In Time” sees Le Castle Vania collaborating with longtime friend and fellow producer MUST DIE – it’s a thrill ride of saw synths and gut punches colorfully strung along by hollowed piano melodies. Then we see another friend and fellow Always Never associate Crywolf on “Part Of Me” – Crywolf making a prominent appearance here with his signature and poignant piano work. The closer track, “Driving Away” is very appropriately titled, as the mood of the track fits perfectly with the movie Drive‘s theme.
All in all, Le Castle Vania continues to show he has not strayed far from his original sound, but instead progressed to his best form yet within it. These are pieces of work that are intricately and carefully made – every sound and layer tweaked and adjusted to peak form. He’s a master of his craft – and it’s nice to see an artist dust off a major track from their catalog and shed the dead weight off it and polish it to a nice sheen.
Play It Down, the house music label from Jesse Rose, has been churning out records over the past year and a half, when Jesse decided to take his other label Made To Play a step back to give Play It Down some shine. Since then, we’ve seen one of the label’s most frequently released artists bud and blossom into quite the producer: Christian Nielsen. His latest work, the Late Check Out EP, follows through on his previous double sided release with tropical touches on infectious grooves.
It’s prime Ibiza season, which Christian definitely shows off in the title track, “Late Check Out.” Combining beachy horns with a deep and dark rolling bassline, this fits right in with the summer heat… whether you’re sweating at Cafe Mambo by the ocean or in the dark depths of a club. Carrying on, “Can You Hear Me?” is noticeably more light… this is definitely a track where you can see the sunlight while you’re dancing. And then with the flip of a switch, the closer track “Drongo” takes you back to the night time, heavy reverbs and synths that echo and tunnel between your ears taking over as the prominent driving forces in the track. Little bit of something for everyone here. A nice little variety pack from Christian, who’s definitely coming into his own as a producer and delivering solid pieces of music that will definitely get bodies moving from AM to PM and back again.
Last week I caught up with Different Sleep, a Chicago-based producer who first came on my radar with his very like-able, sun-rays-on-my-bed type track “Get Ahead” which obviously stole my heart with the Drake sample. In a happy not-so-coincidence, Different Sleep signed his latest release over to LA-based Friends of Friends, who aside from being teamed by a few particularly awesome people are just generally releasing cool, interesting, and unique material.
The Conflict EP is a definite shift for Different Sleep, and heads in a more moody direction than his previous works – aided by the first time with his own vocals. There’s a predominant sense of heartbreak, but as many of the world’s favorite films have managed to do time and time again, the EP lends itself to a beautiful and dreamlike state. The opening track manages to take a shuffled drum pattern to an effortless, transient place, where Different Sleep’s own vocals appear for the first time. “Slow Things Down” strips the drums away for an achingly wonderful piano-driven piece. Vocals from Dirty Gold on “Cold” put everything into slow motion, and the closer track “Damage” picks up where “Conflict” left off, bringing back the shuffled drums and truncated synths that weave through each ear with a graceful and slight sense of urgency. The EP is as if you were to fall through the various stages of heartbreak with an airy and enlightened sense of being… it rises above anger and aggression to a tender and yet still aching bubble.
You can read my chat with Different Sleep after the jump, where we discuss everything from Justin Bieber to the importance of understanding the music business and why everything from Toronto is better. You can check him out tonight at The Echo with Jerome LOL (who’s premiering his new live setup) and tomorrow when Friends of Friends does their takeover of Low End Theory.
Bixel Boys are E V E R Y W H E R E, currently getting their #FREELIFE merch donned by the “swaggiest” of music folk from Lil Jon to TJR to Baauer and everyone else you follow the Instagram of. Well… good news: the much coveted merch is finally available for us #normies to wear via a very clever contest which you can read about on their website: bixelboys.com. Oh and by the way you don’t WIN it you EARN it because this shit is made of 100% bonafide Bixel magic thread AKA if you wear it you will probably become famous or a unicorn or both I don’t know you should probably just try EARNING it though right? I mean.
As if that weren’t enough for you to get excited about, das brüder bix have also remixed Thomas Newson on the famous Armada Music imprint, it’s their perfect and saucy little recipe:
Heap of Techno Leanings
Scoop of Big Room, cheesiness removed
100% Pure Vibes, for coating
You can listen to the track below and obviously go Follow Bixel Boys on Social Media if not for any other reason than they’re really good at it: BB on FB / BB on IG AND if you want to settle for a little less than a rare #FREELIFE jersey you can buy their other merch here: BIXEL BOYS MERCH
Most Los Angelians know Mike Brillstein as a legend. Whether consciously or not, anyone who’s ever been to a club where any good music was played has likely, nay definitely vibed out to one of Mike’s sets. With fine taste and a penchant for house music, he’s finally made a serious foray into the production world with his new alter ego “Brillstein“. After his two collaborations with Jesse Rose last year, he’s venturing off on his own with a six-track mini EP, Back To Bed, which sees its initial release on Play It Down next week.
Friend of GDD (actually who am I kidding, friend of near every music person ever to do anything in Los Angeles) Mike Brillstein, known to many as Thee Mike B, has been making house music. And it’s f**king good. Over the past year we’ve seen him foray into a new moniker as Brillstein, collabing with Play It Down boss and house champion Jesse Rose on tracks like “Shuffle The Paper” and “Good Wife”. I was hearing big dudes like Loco Dice slamming Shuffle The Paper in sets for months. As Brillstein, Mike B is a heavy-hitter, keeping elements in his tracks that punch you right in the stomach and leave a mark. This year he announced his debut LP on Jesse’s label, which gets released at the end of the month. For now, he’s dropped off a new original for free download. Should be a clear indicator of the smashing direction that the LP will head in – the first track of which just premiered over on Pulse Radio.
Get the download above, and be sure to nab your copy of Brillstein’s Back To Bed LP, which comes out on Play It Down on April 29.