GDD™ Morning Update: No Artificial Colours, Warehouse Project, Lone, Future Audio Workshop

MATILDA_ARTWORK

No Artificial Colours release debut PMR Records EP
Warehouse Project Returns to Manchester, Announces Venue and Opening Party
• Stream Lone‘s new album, Reality Testing, in full
Future Audio Workshop unveils a music ID system for nightclubs

 

No Artificial Colours release debut PMR Records EP

South London duo No Artificial Colours began their journey on Kerri Chandler‘s MadTech Records, and now the story continues on PMR Records.

The ‘Reach For Me’ EP contains the title track featuring Alex Mills on vocals, along with a b-side called ‘Matilda’.

Remixes are also included in the package, with Nasser Baker from Dennis Ferrer‘s Objektivity stable providing his own take on the lead track.

The EP is available to purchase now, and you can stream it below.

(via Mixmag)

 

Warehouse Project Returns to Manchester, Announces Venue and Opening Party
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The Warehouse Project has announced that starting this fall, it will make a seasonal return to its “spiritual home” in Manchester ahead of its 10-year anniversary in 2015. The Store Street venue beneath the city’s Piccadilly rail station, once serving as an air raid shelter, played host to the infamous party for five years before relocating. The opener on September 27 lists a formidable lineup from The Warehouse Project’s extended family, leading with Seth Troxler and also showcasing Detroit veteran Carl Craig, Numbers’ Jackmaster, and Berlin cult commander Mr. Ties. Tickets for this first event go up on Thursday, and additional dates will be revealed in mid-July.

(via XLR8R)

 

Stream Lone’s new album, Reality Testing, in full

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Lone – R&S’ resident boss of the gloss – unveils his latest LP. 

After a few albums’ worth of woozy head-nod in the BoC mould, the Manchester producer cracked a whole new market with 2012′s hi-res, house-leaning Galaxy Garden. That fascination with day-glo textures and rave nostalgia persisted on last year’s Airglow Firessingle, and it continues on Reality Testing – his fifth LP proper, and his second for R&S. It’s something of a shuffle back to his beat music background, full of loping breaks and hip-hop production tics.

The album is due out on June 16; click below to stream it from end-to-end, courtesy of Thump. The kaleidoscopic cover art is also below.

(via FACT)

 

Future Audio Workshop unveils a music ID system for nightclubs

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Berlin music tech developer Future Audio Workshop is working on a system called GTI

It stands for Geo Track ID, and at its simplest, that’s just what the system does: it “fingerprints” music played in nightclubs, with the idea the data can be used by rights organizations like GEMA in Germany to more equitably distribute the fees they collect on behalf of their members. (Luis-Manuel Garcia’s primer on GEMA and German nightlife provides some excellent context.) 

“Until now, it has been extremely difficult for PROs [performing rights organizations] to obtain information detailing the music played in clubs,” the company said in a statement. “Instead, most PROs currently employ ad-hoc methods to estimate this data, and in doing so tend to produce results that are inaccurate.” In his article, Garcia describes the current method as “an extrapolation-algorithm that primarily measures mainstream market sales and ‘airplay'”—in other words, not what’s played in the sort of underground house and techno clubs that are being asked to pay out increasingly high fees to PROs. 

GTI overcomes a number of problems, both with the logistics of accurately determining what music is played in nightclubs and on the tech side of things. The heart of the system is a box—”compact, robust, tamper-resistant, low-cost” is how Future Audio Workshop describes it—that hooks into the soundsystem and continuously analyzes the music that’s played. The fingerprints are then sent to GTI, who keep “all information in a secure, encrypted database that is never put into the public domain.” The fingerprinting algorithm has been designed to accommodate tracks being pitched up or down, as they would be in most DJ mixes. Much of GTI’s library of fingerprints for electronic music comes from Juno, which contains vinyl-only releases in addition to its digital catalog; label owners and artists are also able to submit music to the database directly online. Future Audio Workshop say they’ve clocked the success rate of accurate fingerprinting at 90 percent. 

When RA spoke to GTI developers Gavin Burke and Martin Gould recently, they described the product as being ready for testing outside of the lab. The first nightclub test is currently happening at Prince Charles in Berlin. Burke said the test so far has been positive, and the club is enthusiastic about the system. 

“We from Prince Charles are happy to be the first ones to set up the GTI box,” said Norman Methner, the club’s booker and A&R rep, “and that the effort that’s been put in this little box will hopefully get a more fair share of money to the people who actually produce the music that we like to listen to in our and many other clubs.”

(via RA)

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