Robin Gibb, Bee Gees Co-Founder, Dead at 62
Robin Gibb, one-third of the Bee Gees, died Sunday after a long battle with cancer, his spokesperson has confirmed via a statement. Gibb was 62 years old.
“The family of Robin Gibb, of the Bee Gees, announce with great sadness that Robin passed away today following his long battle with cancer and intestinal surgery,” reads the statement. “The family have asked that their privacy is respected at this very difficult time.”
Two years ago, Gibb battled colon and liver cancer, but despite making what he called a “spectacular recovery,” a secondary tumor recently developed, complicated by a case of pneumonia in April. The singer was hospitalized last month and fell into a coma at one point, although he was later said to have regained consciousness and communicated with family members.
Gibb was born in the Isle of Man in 1949, along with twin brother Maurice. (Maurice died in 2003 of complications from a twisted intestine; eerily, Robin had surgery for the same medical issue in 2010.) Along with their older brother Barry, the brothers began harmonizing as a trio in Australia, where the family moved in 1958. Although the Bee Gees had some success in Australia – they hosted a weekly variety show there – they didn’t truly arrive until they returned to England and signed with manager Robert Stigwood. Robin’s quivering, vulnerable voice was featured prominently on several of the group’s earliest and most Beatles-eque hits, including “New York Mining Disaster 1941,” “I Started a Joke,” “Massachusetts,” and “I’ve Gotta Get a Message to You.”
Although he looked and sounded like the meekest Bee Gee, Robin grew into the family rebel. By 1969, he and Barry were feuding over whose song should be singles, and Robin, then 20, was declared a “ward of the state” by their father when his drinking and partying seemed to take over his life. “It happened so fast that we lost communication between us,” Gibb later recalled. “It was just madness, really.”
But it was also Robin who, in 1971, made the first call to Barry to reunite with his brothers. Robin’s solo career had stalled, and Barry and Maurice’s attempts to continue the Bee Gees as a duo had floundered as well. “If we hadn’t been related, we would probably have never gotten back together,” Robin said at the time. Robin’s voice was heard, beautifully, on the chorus of their minor 1972 hit “Run to Me.”
The Bee Gees’ massive second wind arrived with their proto disco hit, “Jive Talkin’,” in 1975; two years later, their contributions to Saturday Night Fever made them bigger stars than ever. Most of the hits from that era featured Barry’s falsetto voice, but the brothers’ vocal blend remained an indelible part of their sound.
The group entered another fallow period during the early Eighties, although during this time, Robin produced a semi-hit album by Jimmy Ruffin, brother of the Temptations’ David Ruffin. The last Bee Gees album, This Is Where I Came In, was released in 2001. Two years later, Maurice died, and with his passing the Bee Gees ended. (Their other, younger brother Andy died in 1988.)
Robin and Barry reunited periodically – in 2010, they made an appearance on American Idol and inducted ABBA into the Rock and Roll Hall of Fame – and talked about a duo tour, but nothing materialized. Robin, though, kept his hand in music. With his son Robin-John, he wrote an ambitious piece, The Titanic Requiem, a mix of orchestral and vocal pieces telling the story of the doomed liner on the 100th anniversary of its sinking. “It’s a serious subject and it’s not a rock opera,” Gibb said before its debut. “There are no backbeats. This could have been written 300 years ago.”
Featuring the Royal Philharmonic Orchestra, the work had its world premiere in London on April 10th. But in a sign that Gibb’s health had taken a turn for the worse, he wasn’t able to attend.
Nicolas Jaar’s BBC Radio 1 Essential Mix
Friday, Nicolas Jaar took over BBC Radio 1 for two hours withhis Essential Mix. The mix features Jaar material and music by Jay-Z, Jonny Greenwood, Beyoncé, Aphex Twin, Feist, Marvin Gaye, Bill Callahan, the Field, and, uh, *NSYNC. Listen to it below.
TEED: “Very few dance albums have stood the test of time”
While talking up his forthcoming debut LP Trouble, UK producer Totally Enormous Extinct Dinosaurs has had to answer to why it’s taken him so long to release a full-length album. A few years and five EPs after hitting the scene, TEED’s Orlando Higginbottom has explained that the wait for his debut album is down to his concern that “very few dance albums have stood the test of time”.
Speaking to Fact magazine, the headpiece-adorned Brit expressed his belief that making a dance album with longevity is no mean feat. “The main challenge I set myself was to make a dance album with some shelf-life”, he explained. “It seems that there have been very few dance albums in dance music history that have stood the test of any time at all. It’s always been about individual tracks.”
Of course, Higginbottom’s not the first to raise the thorny matter of whether dance music needs albums. Around this time last year, we got stuck into the issue and collected the $0.02 of several producers. Among them was local Sam La More, who sounded the death knell and declared “the album is dead, man”. But that’s not an opinion shared by everyone – speaking to inthemix earlier this month, Hot Chip’s Alexis Taylor defended the prospects of LPs. “Maybe it’s out dated, maybe it’s outmoded, but I still like them myself. So I don’t want to give up on them just because of the invention of mp3s and iTunes and Spotify and shorter attention spans,” Taylor explained. “You just have to hope there are still some people who really enjoy it despite all of that.”
At any rate, we can gauge whether Trouble is destined to stand the test of time when it’s released next month, on June 11.
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